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1353

Friedrich Eduard MeyerheimDer Geburtstagskorb - Gemälde und dazugehörige Ölstudie Öl auf Leinwand

In 19th Century Art

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Friedrich Eduard MeyerheimDer Geburtstagskorb - Gemälde und dazugehörige Ölstudie Öl auf Leinwand - Bild 1 aus 2
Friedrich Eduard MeyerheimDer Geburtstagskorb - Gemälde und dazugehörige Ölstudie Öl auf Leinwand - Bild 2 aus 2
Friedrich Eduard MeyerheimDer Geburtstagskorb - Gemälde und dazugehörige Ölstudie Öl auf Leinwand - Bild 1 aus 2
Friedrich Eduard MeyerheimDer Geburtstagskorb - Gemälde und dazugehörige Ölstudie Öl auf Leinwand - Bild 2 aus 2
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Friedrich Eduard Meyerheim
Der Geburtstagskorb - Gemälde und dazugehörige Ölstudie

Öl auf Leinwand bzw. Öl auf Malkarton. Gemälde: 21 x 16 cm,
Ölstudie: 37,5 x 22,5 cm.
Gemälde signiert und datiert auf der blauen Papiertasche: F. E. Meyerheim 1865
Echtheitsbestätigung auf der Ölstudie oben links: Von meinem Vater Eduard M -
Paul Meyerheim.

Provenienz
Gemälde: Geheimer Kommerzienrat von Hansemann, Berlin. - Auktion Christie's, London, 25.5.1995, Lot 290. - Seitdem in englischem Privatbesitz.
Ölstudie: Aus dem Nachlass des Malers Friedrich Eduard Meyerheim. - Auktion Leo Spik, Berlin, 10.10.1996, Lot 210. - Seitdem in englischem Privatbesitz.

Ausstellungen
Karfunkels Berliner Kunstausstellung, 1866. - 9. Ausstellung der Berliner Nationalgalerie, 1880.

Literatur
Friedrich von Boetticher: Malerwerke des 19. Jahrhunderts. Beitrag zur Kunstgeschichte, Bd. 2, S. 45, Nr. 101.

Neugierig und gespannt blickt das kleine Mädchen in Tracht in ihren Geburtstagskorb. Langsam und bedächtig holt sie jeden der kleinen Schätze behutsam heraus und legt sie vor sich auf den Boden: einen Hahn aus Holz mit echten Federn, einen Krug für die Puppenküche, ein Kästchen mit Holzdeckel, eine Brezel, eine Tüte, vielleicht gefüllt mit gebrannten Mandeln, sowie eine große blaue Papiertüte. In ihrer rechten Hand hält sie dabei einen bunten Wiesenblumenstrauß. Im Hintergrund ist der Geburtstagstisch bereits eingedeckt - darauf steht ein Napfkuchen.
Die dazugehörige Ölstudie weicht bei den Farben der Tracht sowie bei der Haltung der rechten Hand, aufgrund des fehlenden Blumenstraußes, vom späteren Gemälde ab. Die sehr persönliche Echtheitsbestätigung von seinem Sohn Paul Meyerheim an seinen Vater Friedrich Eduard Meyerheim sowie die Geschlossenheit dieser beiden Werke steigert die kunsthistorische Bedeutung und Einzigartigkeit.

Friedrich Eduard Meyerheim
The Birthday Basket - Painting and Oil Study

Oil on canvas and oil on painter's card. Painting: 21 x 16 cm.
Oil study: 37.5 x 22.5 cm.
The painting signed as dated on the blue paper bag: F. E. Meyerheim 1865
The oil sketch with a confirmation of authenticity in the upper left: Von meinem Vater Eduard M -
Paul Meyerheim.

Provenance
Painting: Geheimer Kommerzienrat von Hansemann, Berlin. - Auctioned by Christie's, London, 25.5.1995, lot 290 - Subsequently in English private ownership.
Oil study: Auctioned by Leo Spik, Berlin, 10.10.1996, lot 210. - Subsequently in English private ownership.

Exhibitions
Karfunkels Berliner Kunstausstellung, 1866 - 9. Ausstellung der Berliner Nationalgalerie, 1880.

Literature
Friedrich von Boetticher: Malerwerke des 19. Jahrhunderts - Beitrag zur Kunstgeschichte, vol. 2, p. 45, no. 101.

The little girl in traditional dress gazes curiously into her basket of birthday gifts. Slowly and carefully she takes each of the little treasures out and lays them next to her on the floor - a wooden cockerel with real feathers, a tiny pitcher for her dolls, a box with a wooden lid, a pretzel, a bag (perhaps filled with candied almonds), and a big blue paper bag. She holds a posy of wildflowers in her right hand. In the background, we see the table set for a birthday party, complete with a cake.
The oil study for this painting varies in the colour of the dress, the position of the right hand, and lacks the posy.The very personal confirmation of authenticity by the equally well-known painter Paul Meyerheim, son of Friedrich Eduard Meyerheim, and the fact that the oil sketch has survived together with the painting add to this work's singularity and art historical significance.
Friedrich Eduard Meyerheim
Der Geburtstagskorb - Gemälde und dazugehörige Ölstudie

Öl auf Leinwand bzw. Öl auf Malkarton. Gemälde: 21 x 16 cm,
Ölstudie: 37,5 x 22,5 cm.
Gemälde signiert und datiert auf der blauen Papiertasche: F. E. Meyerheim 1865
Echtheitsbestätigung auf der Ölstudie oben links: Von meinem Vater Eduard M -
Paul Meyerheim.

Provenienz
Gemälde: Geheimer Kommerzienrat von Hansemann, Berlin. - Auktion Christie's, London, 25.5.1995, Lot 290. - Seitdem in englischem Privatbesitz.
Ölstudie: Aus dem Nachlass des Malers Friedrich Eduard Meyerheim. - Auktion Leo Spik, Berlin, 10.10.1996, Lot 210. - Seitdem in englischem Privatbesitz.

Ausstellungen
Karfunkels Berliner Kunstausstellung, 1866. - 9. Ausstellung der Berliner Nationalgalerie, 1880.

Literatur
Friedrich von Boetticher: Malerwerke des 19. Jahrhunderts. Beitrag zur Kunstgeschichte, Bd. 2, S. 45, Nr. 101.

Neugierig und gespannt blickt das kleine Mädchen in Tracht in ihren Geburtstagskorb. Langsam und bedächtig holt sie jeden der kleinen Schätze behutsam heraus und legt sie vor sich auf den Boden: einen Hahn aus Holz mit echten Federn, einen Krug für die Puppenküche, ein Kästchen mit Holzdeckel, eine Brezel, eine Tüte, vielleicht gefüllt mit gebrannten Mandeln, sowie eine große blaue Papiertüte. In ihrer rechten Hand hält sie dabei einen bunten Wiesenblumenstrauß. Im Hintergrund ist der Geburtstagstisch bereits eingedeckt - darauf steht ein Napfkuchen.
Die dazugehörige Ölstudie weicht bei den Farben der Tracht sowie bei der Haltung der rechten Hand, aufgrund des fehlenden Blumenstraußes, vom späteren Gemälde ab. Die sehr persönliche Echtheitsbestätigung von seinem Sohn Paul Meyerheim an seinen Vater Friedrich Eduard Meyerheim sowie die Geschlossenheit dieser beiden Werke steigert die kunsthistorische Bedeutung und Einzigartigkeit.

Friedrich Eduard Meyerheim
The Birthday Basket - Painting and Oil Study

Oil on canvas and oil on painter's card. Painting: 21 x 16 cm.
Oil study: 37.5 x 22.5 cm.
The painting signed as dated on the blue paper bag: F. E. Meyerheim 1865
The oil sketch with a confirmation of authenticity in the upper left: Von meinem Vater Eduard M -
Paul Meyerheim.

Provenance
Painting: Geheimer Kommerzienrat von Hansemann, Berlin. - Auctioned by Christie's, London, 25.5.1995, lot 290 - Subsequently in English private ownership.
Oil study: Auctioned by Leo Spik, Berlin, 10.10.1996, lot 210. - Subsequently in English private ownership.

Exhibitions
Karfunkels Berliner Kunstausstellung, 1866 - 9. Ausstellung der Berliner Nationalgalerie, 1880.

Literature
Friedrich von Boetticher: Malerwerke des 19. Jahrhunderts - Beitrag zur Kunstgeschichte, vol. 2, p. 45, no. 101.

The little girl in traditional dress gazes curiously into her basket of birthday gifts. Slowly and carefully she takes each of the little treasures out and lays them next to her on the floor - a wooden cockerel with real feathers, a tiny pitcher for her dolls, a box with a wooden lid, a pretzel, a bag (perhaps filled with candied almonds), and a big blue paper bag. She holds a posy of wildflowers in her right hand. In the background, we see the table set for a birthday party, complete with a cake.
The oil study for this painting varies in the colour of the dress, the position of the right hand, and lacks the posy.The very personal confirmation of authenticity by the equally well-known painter Paul Meyerheim, son of Friedrich Eduard Meyerheim, and the fact that the oil sketch has survived together with the painting add to this work's singularity and art historical significance.

19th Century Art

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Wichtige Informationen

3% LIVE Surcharge + VAT

24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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