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1051

Gerret Willemsz. HedaStillleben mit Hering, Römer, Wanli-Schale und einem Brot Öl auf Holz. 58 x

In Old Master Paintings and Drawings

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Gerret Willemsz. HedaStillleben mit Hering, Römer, Wanli-Schale und einem Brot Öl auf Holz. 58 x
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln
Gerret Willemsz. Heda
Stillleben mit Hering, Römer, Wanli-Schale und einem Brot

Öl auf Holz. 58 x 68 cm.
Signiert und datiert unten rechts: Gerret Heda 1646.

Provenienz
Lepke, Berlin, Auktion 4.4.1911, Lot 54. - Sammlung Rudolf Isbarys, Berlin. - Sammlung Baron Buschmann, Wien 1924. - Galerie Sankt Lukas, Wien 1959. - Österreichische Privatsammlung. - Galerie Sankt Lukas, Wien, Winter-Ausstellung 1998/99. - Deutsche Privatsammlung.

Der Haarlemer Maler Gerrit Willemsz Heda war Sohn und Schüler von Willem Claesz Heda, dessen Stil er übernahm und weiter entwickelte. Mit Pieter Claesz war sein Vater Willem Claesz Heda Begründer der sogenannten „Monochromen Banketjes“. Das sind Mahlzeitenstillleben, deren reduziertes Kolorit von einem bestimmenden Grundton ausgeht. Zu dieser um 1620/30 sich entwickelten Bildgattung gehört auch unser 1646 entstandenes Stillleben, das eines seiner frühesten datierten Werke ist.
Auf einer Tischplatte ausgebreitet sind diverse Gegenstände, darunter eine chinesische Porzellanschale mit Butter, ein gefülltes Weinglas, eine Raerener Steingutkanne, ein Zinnteller mit Heringen, ein Messer, eine liegende Zinntazza und ein Stück Brot. Das Arrangement besticht durch seine Ruhe und Schlichtheit. Die dargestellten Gegenstände sind nicht prunkvoll, sondern gehören vielmehr in ein bürgerliches Umfeld, was der Maler auch durch die Wahl seiner Farben unterstreicht. Andererseits besticht die malerische Präzision sowohl der Umrisse als auch der Lichtreflexe auf der Oberfläche der unterschiedlichen Materialien wie Porzellan, Ton, Stoff oder Glas. Gerrit Hedas virtuoser Umgang mit Licht und Farbe, Umriss und Gesamtarrangement kommt auf diesem Mahlzeitenbild glanzvoll zur Geltung.

Gerret Willemsz. Heda
Still Life with a Herring, Rummer, Wanli Dish, and Bread

Oil on panel. 58 x 68 cm.
Signed and dated lower right: Gerret Heda 1646.

Provenance
Lepke, Berlin auction 4.4.1911, lot 54. - Collection of Rudolf Isbarys, Berlin. - Collection of Baron Buschmann, Vienna 1924. - Galerie Sankt Lukas, Vienna 1959. - Private collection, Austria. - Galerie Sankt Lukas, Vienna, Winter Exhibition 1998/99. - German private collection.

The painter Gerrit Willemsz Heda was born in Haarlem and was the son of Willem Claesz Heda, under whom he also apprenticed. The young Heda adopted his father's style and developed it further. Alongside Pieter Claesz, Gerrit Heda's father was the originator of the so-called “monochrome banketjes”. This specific still life genre depicts meals in a reduced colour palette based on one particular tone. The genre developed from around 1620-1630 onwards, and the present example, dated 1646, is one of Heda's earliest dated works.
We see various items spread out on a table, including butter in a Chinese porcelain dish, a glass of wine, a Raeren stoneware pitcher, an upturned pewter tazza, and a slice of bread. The charm of this still life lies in its calm simplicity. The items depicted are not especially opulent, they belong more in a middle-class environment, and the artist accentuates this in his choice of colours. Despite its simplicity, the work displays a wealth of painterly detail in the precision of its outlines and the carefully placed highlights on the various materials, like the porcelain, clay, fabric, and glass. Gerrit Heda's mastery of light and colour, outline and composition are beautifully displayed in this elegant still life.
Gerret Willemsz. Heda
Stillleben mit Hering, Römer, Wanli-Schale und einem Brot

Öl auf Holz. 58 x 68 cm.
Signiert und datiert unten rechts: Gerret Heda 1646.

Provenienz
Lepke, Berlin, Auktion 4.4.1911, Lot 54. - Sammlung Rudolf Isbarys, Berlin. - Sammlung Baron Buschmann, Wien 1924. - Galerie Sankt Lukas, Wien 1959. - Österreichische Privatsammlung. - Galerie Sankt Lukas, Wien, Winter-Ausstellung 1998/99. - Deutsche Privatsammlung.

Der Haarlemer Maler Gerrit Willemsz Heda war Sohn und Schüler von Willem Claesz Heda, dessen Stil er übernahm und weiter entwickelte. Mit Pieter Claesz war sein Vater Willem Claesz Heda Begründer der sogenannten „Monochromen Banketjes“. Das sind Mahlzeitenstillleben, deren reduziertes Kolorit von einem bestimmenden Grundton ausgeht. Zu dieser um 1620/30 sich entwickelten Bildgattung gehört auch unser 1646 entstandenes Stillleben, das eines seiner frühesten datierten Werke ist.
Auf einer Tischplatte ausgebreitet sind diverse Gegenstände, darunter eine chinesische Porzellanschale mit Butter, ein gefülltes Weinglas, eine Raerener Steingutkanne, ein Zinnteller mit Heringen, ein Messer, eine liegende Zinntazza und ein Stück Brot. Das Arrangement besticht durch seine Ruhe und Schlichtheit. Die dargestellten Gegenstände sind nicht prunkvoll, sondern gehören vielmehr in ein bürgerliches Umfeld, was der Maler auch durch die Wahl seiner Farben unterstreicht. Andererseits besticht die malerische Präzision sowohl der Umrisse als auch der Lichtreflexe auf der Oberfläche der unterschiedlichen Materialien wie Porzellan, Ton, Stoff oder Glas. Gerrit Hedas virtuoser Umgang mit Licht und Farbe, Umriss und Gesamtarrangement kommt auf diesem Mahlzeitenbild glanzvoll zur Geltung.

Gerret Willemsz. Heda
Still Life with a Herring, Rummer, Wanli Dish, and Bread

Oil on panel. 58 x 68 cm.
Signed and dated lower right: Gerret Heda 1646.

Provenance
Lepke, Berlin auction 4.4.1911, lot 54. - Collection of Rudolf Isbarys, Berlin. - Collection of Baron Buschmann, Vienna 1924. - Galerie Sankt Lukas, Vienna 1959. - Private collection, Austria. - Galerie Sankt Lukas, Vienna, Winter Exhibition 1998/99. - German private collection.

The painter Gerrit Willemsz Heda was born in Haarlem and was the son of Willem Claesz Heda, under whom he also apprenticed. The young Heda adopted his father's style and developed it further. Alongside Pieter Claesz, Gerrit Heda's father was the originator of the so-called “monochrome banketjes”. This specific still life genre depicts meals in a reduced colour palette based on one particular tone. The genre developed from around 1620-1630 onwards, and the present example, dated 1646, is one of Heda's earliest dated works.
We see various items spread out on a table, including butter in a Chinese porcelain dish, a glass of wine, a Raeren stoneware pitcher, an upturned pewter tazza, and a slice of bread. The charm of this still life lies in its calm simplicity. The items depicted are not especially opulent, they belong more in a middle-class environment, and the artist accentuates this in his choice of colours. Despite its simplicity, the work displays a wealth of painterly detail in the precision of its outlines and the carefully placed highlights on the various materials, like the porcelain, clay, fabric, and glass. Gerrit Heda's mastery of light and colour, outline and composition are beautifully displayed in this elegant still life.

Old Master Paintings and Drawings

Auktionsdatum
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Germany

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Wichtige Informationen

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24.00 % buyer's premium on the hammer price
(20.00 % on the part of the hammer price exceeding 400,001 EUR)
19.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain -anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

The gold content of objects without fineness stamps are ascertained using an acid test. The size and quality of gemstones are ascertained within the settings, unless mentioned otherwise. Assessments of the clarity and colour of gemstones are subject to the subjective perception. Minor divergences from the values provided do not represent deficiencies. References to gemmological certifications are used purely for informational purposes, and do not provide a guarantee. The watches listed have been opened to be catalogued, but we cannot guarantee for their accuracy and function.
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8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.
9. Up to a hammer price of € 400.000.- a premium of 24 % calculated on the hammer price plus 19 % value added tax calculated (VAT) on the surcharge only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400.000 (margin scheme). On lots which are characterized by ** an additional 7 % for import tax will be added. On lots which are characterised by an *, the buyer shall pay a premium of 24 % on a hammer price up to € 400.000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose author died after 31.12.1943, a charge of 1,9 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12.500.-. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.
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11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.
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13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer

 

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