Los

127

WOOD COLUMNFrom the Brussels World Fair, 1958

In Art of Africa, the Pacific and the Americas (L...

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +32 251405-86 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicher zustellen, dass Sie das Los ersteigern, melden Sie sich zum Live Bieten an unter , oder erhöhen Sie ihr Maximalgebot.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
WOOD COLUMNFrom the Brussels World Fair, 1958
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Bruxelles

WOOD COLUMN
From the Brussels World Fair, 1958

The Brussels World’s Fair of 1958 (Exposition Universelle et Internationale de Bruxelles), was held from 17 April to 19 October. Best known for the Atomium, it is today also remembered for the Congolese Village, one of the last examples of the long practice of dehumanizing Africans at universal exhibitions by displaying them in a ‘primitive’ state to be observed by visitors - a “human zoo”. No traditional Congolese art was exhibited but rather works made by Europeans in a Congolese style. In mid-July the Congolese “exhibits” protested the condescending treatment they were receiving from spectators and demanded to be sent home, abruptly ending the exhibit.
280 cm. high

Provenienz
Jean-Philippe Demeyer, Bruges, 2008



WOOD COLUMN
From the Brussels World Fair, 1958

The Brussels World’s Fair of 1958 (Exposition Universelle et Internationale de Bruxelles), was held from 17 April to 19 October. Best known for the Atomium, it is today also remembered for the Congolese Village, one of the last examples of the long practice of dehumanizing Africans at universal exhibitions by displaying them in a ‘primitive’ state to be observed by visitors - a “human zoo”. No traditional Congolese art was exhibited but rather works made by Europeans in a Congolese style. In mid-July the Congolese “exhibits” protested the condescending treatment they were receiving from spectators and demanded to be sent home, abruptly ending the exhibit.
280 cm. high

Provenance
Jean-Philippe Demeyer, Bruges, 2008


- - -

24.00 % buyer's premium on the hammer price
(22.00 % on the part of the hammer price exceeding 400,001 EUR)
21.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme


WOOD COLUMN
From the Brussels World Fair, 1958

The Brussels World’s Fair of 1958 (Exposition Universelle et Internationale de Bruxelles), was held from 17 April to 19 October. Best known for the Atomium, it is today also remembered for the Congolese Village, one of the last examples of the long practice of dehumanizing Africans at universal exhibitions by displaying them in a ‘primitive’ state to be observed by visitors - a “human zoo”. No traditional Congolese art was exhibited but rather works made by Europeans in a Congolese style. In mid-July the Congolese “exhibits” protested the condescending treatment they were receiving from spectators and demanded to be sent home, abruptly ending the exhibit.
280 cm. high

Provenienz
Jean-Philippe Demeyer, Bruges, 2008



WOOD COLUMN
From the Brussels World Fair, 1958

The Brussels World’s Fair of 1958 (Exposition Universelle et Internationale de Bruxelles), was held from 17 April to 19 October. Best known for the Atomium, it is today also remembered for the Congolese Village, one of the last examples of the long practice of dehumanizing Africans at universal exhibitions by displaying them in a ‘primitive’ state to be observed by visitors - a “human zoo”. No traditional Congolese art was exhibited but rather works made by Europeans in a Congolese style. In mid-July the Congolese “exhibits” protested the condescending treatment they were receiving from spectators and demanded to be sent home, abruptly ending the exhibit.
280 cm. high

Provenance
Jean-Philippe Demeyer, Bruges, 2008


- - -

24.00 % buyer's premium on the hammer price
(22.00 % on the part of the hammer price exceeding 400,001 EUR)
21.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

Art of Africa, the Pacific and the Americas (Lempertz Bruxelles)

Auktionsdatum
Ort der Versteigerung
Rue du Grand Cerf 6
Bruxelles
1000
Belgium

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +32 251405-86.

Wichtige Informationen

24.00 % buyer's premium on the hammer price
(22.00 % on the part of the hammer price exceeding 400,001 EUR)
21.00 % VAT on buyer's premium and other charges; not indicated and not reclaimable; VAT margin scheme

3 % live surcharge plus VAT

AGB

|


 

Vollständige AGBs