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2070

Philips WouwermanTravellers Resting in a GrottoOil on panel (parquetted). 36 x 40 cm.Monogrammed

In Fine Art

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Philips WouwermanTravellers Resting in a GrottoOil on panel (parquetted). 36 x 40 cm.Monogrammed
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Philips Wouwerman
Reisende bei der Rast in einer Felsgrotte

Öl auf Holz (parkettiert). 36 x 40 cm.
Monogrammiert unten links: PHS W (PHS ligiert).

Provenienz
Prince de Conti (1717-1776), Paris. - Auktion Paris, 8.4.1777. - Thomas Emmerson, London. - Auktion Phillips, London, 1.-2.5.1829. - B. Narischkine. - Auktion Paris, 5.4.1883, Lot 42. - Kunsthändler Walter Paech, Amsterdam. - Von diesem über Walter Andreas Hofer verkauft an Hermann Göring, 20.9.1940. - Februar/März 1945 Transport zur Burg Veldenstein. - Weiterer Verbleib unbekannt. - 1969 C. Spira, Düsseldorf. - Deutsche Privatsammlung. - 1970 Kunsthandlung Müllenmeister, Solingen. - Dort erworben von einem deutschen Privatsammler. - Seitdem in Erbfolge.

Ausstellungen
Kunsthandelaar en verzamelaar, Amsterdam, Amsterdams Historisch Museum, 27.3.-31.5.1970, Nr. 64.

Literatur
- John Smith: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, 8 Bde., London 1829-42, Bd. 1, London 1829, S. 242, Nr. 143. - Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts, 10 Bde., Esslingen und Paris, 1910-28, Bd. 2, Esslingen und Paris 1908, S. 363, Nr. 392. - Ausst.-Kat. „Kunsthandelaar en verzamelaar“, Amsterdam, Amsterdams Historisch Museum, 27.3.-31.5.1970, S. 28, Nr. 64, Abb. S. 133. - Kurt J. Müllenmeister: Meer und Land im Licht des 17. Jahrhunderts, 3 Bde., Bremen 1981, Bd. 3, S. 105, Nr. 543.
- Birgit Schumacher: Philips Wouwerman (1619-1668). The horse painter of the Golden Age. 2 Bde., Doornspijk 2006, Bd. 1, S. 323, Nr. A385, Abb. Bd. 2, Nr. 356.

Philips Wouwerman war einer der vielfältigsten und produktivsten Maler des Goldenen Zeitalters der Niederländischen Malerei. Schon zu seinen Lebzeiten gelangten seine wunderbaren Bilder in die bedeutendsten Sammlungen Europas, so nach Dresden, Wien oder Sankt Petersburg.
Eingebettet in das künstlerische Umfeld und in die vielfältigen malerischen Traditionen der Niederlande begann Philips Wouwerman seine künstlerische Karriere 1639 mit einfachen Genreszenen in der Tradition der sogenannten Bamboccianti. Schon bald entwickelte er sich jedoch zu einem herausragenden Künstler von weitaus größerer Geltung. Im Verlauf seiner knapp dreißigjährigen Schaffenszeit reifte der individuelle Stil seiner Werke. Wouwermans Bilder zeichnen sich durch die außerordentlich präzise und dennoch sehr lebendige und warmherzige Wiedergabe der sichtbaren Welt aus, der Menschen und der Tiere, insbesondere der Pferde, die er wie kaum ein anderer Maler erfassen konnte. Er gilt bis heute als einer der besten Pferdemaler überhaupt.
Das vorliegende, sehr gut erhaltene Gemälde bildet mit den ruhenden, teils bereits schlafenden Figuren, den abgesattelten Tieren und der Geborgenheit der natürlichen Ruhestätte, der Grotte, eine schönes Bespiel für Wouwermans atmosphärische Poesie und souveräne Gestaltungsgabe.
Birgit Schumacher datiert das Bild in die späten 1650er Jahre.

Unser Gemälde, das sich im 18. Jahrhundert in der Sammlung des Prince de Conti in Paris befand, wurde 1940 vom Amsterdamer Kunsthändler Walter Paech für 1.000 fl über Walter Andreas Hofer an Hermann Göring verkauft. Es ist in keiner der einschlägigen Datenbanken als verfolgungsbedingt entzogen registriert und hat ein entsprechendes Zertifikat des Art Loss Registers, London, vom 21. April 2020.



Philips Wouwerman
Travellers Resting in a Grotto

Oil on panel (parquetted). 36 x 40 cm.
Monogrammed lower left: PHS W (PHS conjoined)..

Provenance
Prince de Conti (1717-1776), Paris. - Auctioned in Paris, 08.04.1777. - Thomas Emmerson, London. - Auctioned by Phillips, London, 01.-02.05.1829. - B. Narischkine. - Auctioned in Paris, 05.04.1883, lot 42. - Walter Paech art dealers, Amsterdam. - Acquired from them by Walter Andreas Hofer and sold to Hermann Göring, 20.09.1940. - February/March 1945 Transport zur Burg Veldenstein. - Further whereabouts unknown. - 1969 C. Spira, Düsseldorf. - German private collection. - 1970 Kunsthandlung Müllenmeister, Solingen. - Acquired there by a German private collector. - Thereafter by descent to the present owner.

Exhibitions
Kunsthandelaar en verzamelaar, Amsterdam, Amsterdams Historisch Museum, 27.03.-31.05.1970, no. 64.

Literature
John Smith: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, 8 vols., London 1829-42, vol. 1, London 1829, p. 242, no. 143. - Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts, 10 vols., Esslingen and Paris, 1910-28, vol. 2, Esslingen and Paris 1908, p. 363, no. 392. - Exhib. cat. „Kunsthandelaar en verzamelaar“, Amsterdam, Amsterdams Historisch Museum, 27.03.-31.05.1970, p. 28, no. 64, illus. p. 133. - Kurt J. Müllenmeister: Meer und Land im Licht des 17. Jahrhunderts, 3 vols., Bremen 1981, vol. 3, p. 105, no. 543. - Birgit Schumacher: Philips Wouwerman (1619-1668). The horse painter of the Golden Age. 2 vols., Doornspijk 2006, vol. 1, p. 323, no. A385, illus. vol. 2, no. 356.

Philips Wouwerman was one of the most productive painters of the Dutch Golden Age, with one of the most diverse oeuvres. His magnificent works could already be found in some of the most important art collections in Europe during his lifetime, including those of Dresden, Vienna, and Saint Petersburg.
Working within the varied artistic tradition of the Netherlands, Philips Wouwerman began his career with simple genre scenes in 1639, in the style of the so-called Bamboccianti. He soon developed into an exceptional artist of much greater significance. His individual style was given substantial time to mature throughout his almost 30 year career. Wouwerman's works are characterised by the way in which he depicts the visible world with both extraordinary precision and remarkable liveliness and warmth. He had an ability to depict humans and animals, especially horses, like no other painter and is considered one of the most accomplished horse painters in the history of art.
The present well-preserved work depicts recumbent figures, some of which are already asleep, resting their saddled horses in the safety of a natural grotto. It is a beautiful example of Wouwerman's atmospheric lyricism and mastery in the depiction of nature. Birgit Schumacher dates the work to the late 1650s.
During the 18th century, the piece was housed in the collection of the Prince de Conti in Paris. It was then purchased in 1940 by the Amsterdam art dealer Walter Paech for 1.000 fl, before being sold to the collection of Hermann Göring via Walter Andreas Hofer. The work is not listed in any of the relevant databases as having been expropriated due to persecution and was thus awarded a corresponding certification by the Art Loss Register in London on 21st April 2020.

Philips Wouwerman
Reisende bei der Rast in einer Felsgrotte

Öl auf Holz (parkettiert). 36 x 40 cm.
Monogrammiert unten links: PHS W (PHS ligiert).

Provenienz
Prince de Conti (1717-1776), Paris. - Auktion Paris, 8.4.1777. - Thomas Emmerson, London. - Auktion Phillips, London, 1.-2.5.1829. - B. Narischkine. - Auktion Paris, 5.4.1883, Lot 42. - Kunsthändler Walter Paech, Amsterdam. - Von diesem über Walter Andreas Hofer verkauft an Hermann Göring, 20.9.1940. - Februar/März 1945 Transport zur Burg Veldenstein. - Weiterer Verbleib unbekannt. - 1969 C. Spira, Düsseldorf. - Deutsche Privatsammlung. - 1970 Kunsthandlung Müllenmeister, Solingen. - Dort erworben von einem deutschen Privatsammler. - Seitdem in Erbfolge.

Ausstellungen
Kunsthandelaar en verzamelaar, Amsterdam, Amsterdams Historisch Museum, 27.3.-31.5.1970, Nr. 64.

Literatur
- John Smith: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, 8 Bde., London 1829-42, Bd. 1, London 1829, S. 242, Nr. 143. - Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts, 10 Bde., Esslingen und Paris, 1910-28, Bd. 2, Esslingen und Paris 1908, S. 363, Nr. 392. - Ausst.-Kat. „Kunsthandelaar en verzamelaar“, Amsterdam, Amsterdams Historisch Museum, 27.3.-31.5.1970, S. 28, Nr. 64, Abb. S. 133. - Kurt J. Müllenmeister: Meer und Land im Licht des 17. Jahrhunderts, 3 Bde., Bremen 1981, Bd. 3, S. 105, Nr. 543.
- Birgit Schumacher: Philips Wouwerman (1619-1668). The horse painter of the Golden Age. 2 Bde., Doornspijk 2006, Bd. 1, S. 323, Nr. A385, Abb. Bd. 2, Nr. 356.

Philips Wouwerman war einer der vielfältigsten und produktivsten Maler des Goldenen Zeitalters der Niederländischen Malerei. Schon zu seinen Lebzeiten gelangten seine wunderbaren Bilder in die bedeutendsten Sammlungen Europas, so nach Dresden, Wien oder Sankt Petersburg.
Eingebettet in das künstlerische Umfeld und in die vielfältigen malerischen Traditionen der Niederlande begann Philips Wouwerman seine künstlerische Karriere 1639 mit einfachen Genreszenen in der Tradition der sogenannten Bamboccianti. Schon bald entwickelte er sich jedoch zu einem herausragenden Künstler von weitaus größerer Geltung. Im Verlauf seiner knapp dreißigjährigen Schaffenszeit reifte der individuelle Stil seiner Werke. Wouwermans Bilder zeichnen sich durch die außerordentlich präzise und dennoch sehr lebendige und warmherzige Wiedergabe der sichtbaren Welt aus, der Menschen und der Tiere, insbesondere der Pferde, die er wie kaum ein anderer Maler erfassen konnte. Er gilt bis heute als einer der besten Pferdemaler überhaupt.
Das vorliegende, sehr gut erhaltene Gemälde bildet mit den ruhenden, teils bereits schlafenden Figuren, den abgesattelten Tieren und der Geborgenheit der natürlichen Ruhestätte, der Grotte, eine schönes Bespiel für Wouwermans atmosphärische Poesie und souveräne Gestaltungsgabe.
Birgit Schumacher datiert das Bild in die späten 1650er Jahre.

Unser Gemälde, das sich im 18. Jahrhundert in der Sammlung des Prince de Conti in Paris befand, wurde 1940 vom Amsterdamer Kunsthändler Walter Paech für 1.000 fl über Walter Andreas Hofer an Hermann Göring verkauft. Es ist in keiner der einschlägigen Datenbanken als verfolgungsbedingt entzogen registriert und hat ein entsprechendes Zertifikat des Art Loss Registers, London, vom 21. April 2020.



Philips Wouwerman
Travellers Resting in a Grotto

Oil on panel (parquetted). 36 x 40 cm.
Monogrammed lower left: PHS W (PHS conjoined)..

Provenance
Prince de Conti (1717-1776), Paris. - Auctioned in Paris, 08.04.1777. - Thomas Emmerson, London. - Auctioned by Phillips, London, 01.-02.05.1829. - B. Narischkine. - Auctioned in Paris, 05.04.1883, lot 42. - Walter Paech art dealers, Amsterdam. - Acquired from them by Walter Andreas Hofer and sold to Hermann Göring, 20.09.1940. - February/March 1945 Transport zur Burg Veldenstein. - Further whereabouts unknown. - 1969 C. Spira, Düsseldorf. - German private collection. - 1970 Kunsthandlung Müllenmeister, Solingen. - Acquired there by a German private collector. - Thereafter by descent to the present owner.

Exhibitions
Kunsthandelaar en verzamelaar, Amsterdam, Amsterdams Historisch Museum, 27.03.-31.05.1970, no. 64.

Literature
John Smith: A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters, 8 vols., London 1829-42, vol. 1, London 1829, p. 242, no. 143. - Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts, 10 vols., Esslingen and Paris, 1910-28, vol. 2, Esslingen and Paris 1908, p. 363, no. 392. - Exhib. cat. „Kunsthandelaar en verzamelaar“, Amsterdam, Amsterdams Historisch Museum, 27.03.-31.05.1970, p. 28, no. 64, illus. p. 133. - Kurt J. Müllenmeister: Meer und Land im Licht des 17. Jahrhunderts, 3 vols., Bremen 1981, vol. 3, p. 105, no. 543. - Birgit Schumacher: Philips Wouwerman (1619-1668). The horse painter of the Golden Age. 2 vols., Doornspijk 2006, vol. 1, p. 323, no. A385, illus. vol. 2, no. 356.

Philips Wouwerman was one of the most productive painters of the Dutch Golden Age, with one of the most diverse oeuvres. His magnificent works could already be found in some of the most important art collections in Europe during his lifetime, including those of Dresden, Vienna, and Saint Petersburg.
Working within the varied artistic tradition of the Netherlands, Philips Wouwerman began his career with simple genre scenes in 1639, in the style of the so-called Bamboccianti. He soon developed into an exceptional artist of much greater significance. His individual style was given substantial time to mature throughout his almost 30 year career. Wouwerman's works are characterised by the way in which he depicts the visible world with both extraordinary precision and remarkable liveliness and warmth. He had an ability to depict humans and animals, especially horses, like no other painter and is considered one of the most accomplished horse painters in the history of art.
The present well-preserved work depicts recumbent figures, some of which are already asleep, resting their saddled horses in the safety of a natural grotto. It is a beautiful example of Wouwerman's atmospheric lyricism and mastery in the depiction of nature. Birgit Schumacher dates the work to the late 1650s.
During the 18th century, the piece was housed in the collection of the Prince de Conti in Paris. It was then purchased in 1940 by the Amsterdam art dealer Walter Paech for 1.000 fl, before being sold to the collection of Hermann Göring via Walter Andreas Hofer. The work is not listed in any of the relevant databases as having been expropriated due to persecution and was thus awarded a corresponding certification by the Art Loss Register in London on 21st April 2020.

Fine Art

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Neumarkt 3
Köln
50667
Germany

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1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

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another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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