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Oswald AchenbachRastende Landleute an der Via Appia beim Grabmal der Cecilia Metella

In 19. Jahrhundert / 19th Century

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Oswald AchenbachRastende Landleute an der Via Appia beim Grabmal der Cecilia Metella
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Oswald Achenbach
Rastende Landleute an der Via Appia beim Grabmal der Cecilia Metella

Öl auf Leinwand. 90 x 137 cm.
Signiert und datiert unten links: Osw. Achenbach 1881.

Provenienz
Galerie Josef Cohnen, Mönchengladbach, 1972 erworben. - Seitdem in Familienbesitz.

Das vorliegende, 1881 entstandene Gemälde ist ein charakteristisches Beispiel aus Oswald Achenbachs reifer Schaffensproduktion. In seinem umfangreichen malerischen Oeuvre steht immer Italien im Mittelpunkt seines Interesses. Achenbach malt nicht nur dort, sondern auch im Düsseldorfer Atelier sein Leben lang die unverwechselbaren Landschaften zwischen Florenz und Neapel und das südliche Licht zu allen Tages- und Nachtzeiten. Er ist in seiner Zeit zweifellos der Meister des italienischen Lichtes, vor allem der abendlichen und nächtlichen Beleuchtung. Auf diesem Gemälde rastet an einem sonnigen Sommernachmittag eine kleinere Gruppe von Frauen an der Via Appia am Fuße des Grabmals der Cecilia Mettella. Schon in der Goethe- und Hackertzeit war dies ein beliebtes Ausflugsziel für die örtliche Bevölkerung ebenso wie für die zahlreichen Maler des Nordens gewesen. So ist denn auch der Blick von diesem erhöhten Standort aus auf die fernen Kuppeln und Häuser der Ewigen Stadt und dem Tibertal auf vielen Bildern des gesamten 19. Jahrhunderts zu sehen.





Oswald Achenbach
Peasants Resting on the Via Appia by the Mausoleum of Cecilia Metella

Oil on canvas. 90 x 137 cm.
Signed and dated lower left: Osw. Achenbach 1881.

Provenance
Galerie Josef Cohnen, Mönchngladbach, acquired in 1972. - Subsequently in family ownership.

The present painting "View of Rome from the Via Appia", painted in 1881, is a characteristic example of Oswald Achenbach's mature creative output. In his extensive painterly oeuvre, Italy was always the focus of his interest. Not only during the time he spent in the country, but also in his Düsseldorf studio, Achenbach spent his life painting the unmistakable landscapes of Florence and Naples bathed in southern light, depicting all times of day and night. At the time, he was without doubt the master of depicting Italian light, especially evening and night-time scenes. This painting shows a sunny summer afternoon with a small group of women resting on the Via Appia at the foot of the tomb of Cecilia Mettella. This was already a popular destination both for the local population as well as for numerous painters from the north during the time of Goethe and Hackert. Thus, the view of the distant spires and rooftops of the Eternal City and the Tiber Valley from this elevated location can be seen in many paintings throughout the entire 19th century.





Oswald Achenbach
Rastende Landleute an der Via Appia beim Grabmal der Cecilia Metella

Öl auf Leinwand. 90 x 137 cm.
Signiert und datiert unten links: Osw. Achenbach 1881.

Provenienz
Galerie Josef Cohnen, Mönchengladbach, 1972 erworben. - Seitdem in Familienbesitz.

Das vorliegende, 1881 entstandene Gemälde ist ein charakteristisches Beispiel aus Oswald Achenbachs reifer Schaffensproduktion. In seinem umfangreichen malerischen Oeuvre steht immer Italien im Mittelpunkt seines Interesses. Achenbach malt nicht nur dort, sondern auch im Düsseldorfer Atelier sein Leben lang die unverwechselbaren Landschaften zwischen Florenz und Neapel und das südliche Licht zu allen Tages- und Nachtzeiten. Er ist in seiner Zeit zweifellos der Meister des italienischen Lichtes, vor allem der abendlichen und nächtlichen Beleuchtung. Auf diesem Gemälde rastet an einem sonnigen Sommernachmittag eine kleinere Gruppe von Frauen an der Via Appia am Fuße des Grabmals der Cecilia Mettella. Schon in der Goethe- und Hackertzeit war dies ein beliebtes Ausflugsziel für die örtliche Bevölkerung ebenso wie für die zahlreichen Maler des Nordens gewesen. So ist denn auch der Blick von diesem erhöhten Standort aus auf die fernen Kuppeln und Häuser der Ewigen Stadt und dem Tibertal auf vielen Bildern des gesamten 19. Jahrhunderts zu sehen.





Oswald Achenbach
Peasants Resting on the Via Appia by the Mausoleum of Cecilia Metella

Oil on canvas. 90 x 137 cm.
Signed and dated lower left: Osw. Achenbach 1881.

Provenance
Galerie Josef Cohnen, Mönchngladbach, acquired in 1972. - Subsequently in family ownership.

The present painting "View of Rome from the Via Appia", painted in 1881, is a characteristic example of Oswald Achenbach's mature creative output. In his extensive painterly oeuvre, Italy was always the focus of his interest. Not only during the time he spent in the country, but also in his Düsseldorf studio, Achenbach spent his life painting the unmistakable landscapes of Florence and Naples bathed in southern light, depicting all times of day and night. At the time, he was without doubt the master of depicting Italian light, especially evening and night-time scenes. This painting shows a sunny summer afternoon with a small group of women resting on the Via Appia at the foot of the tomb of Cecilia Mettella. This was already a popular destination both for the local population as well as for numerous painters from the north during the time of Goethe and Hackert. Thus, the view of the distant spires and rooftops of the Eternal City and the Tiber Valley from this elevated location can be seen in many paintings throughout the entire 19th century.




19. Jahrhundert / 19th Century

Auktionsdatum
Lose: 2200 - 2309
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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