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Runde Schüssel No. 2 aus dem Schwanenservice

In Modernes Kunstgewerbe / Sammlung Dreßen / Kuns...

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Runde Schüssel No. 2 aus dem Schwanenservice - Bild 1 aus 3
Runde Schüssel No. 2 aus dem Schwanenservice - Bild 2 aus 3
Runde Schüssel No. 2 aus dem Schwanenservice - Bild 3 aus 3
Runde Schüssel No. 2 aus dem Schwanenservice - Bild 1 aus 3
Runde Schüssel No. 2 aus dem Schwanenservice - Bild 2 aus 3
Runde Schüssel No. 2 aus dem Schwanenservice - Bild 3 aus 3
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Runde Schüssel No. 2 aus dem Schwanenservice
Porzellan, polychromer Emaildekor, Vergoldung. Dekoriert mit Muschelrelief und wellig geschnittenem Rand. Im Spiegel die Reliefdarstellung von zwei schwimmenden Schwänen, einem Reiher links im Schilf und einem fliegenden Reiher darüber. Auf der Fahne gestreute kleine indianische Blumen und oben die nicht zentrierte Bemalung mit dem Allianzwappen Brühl-Kolowrat-Krakovský. Blaumarke Schwerter, Dreherzeichen . . für Johann Martin Kittel jr. Restaurierter Randchip links neben dem Wappen, oberhalb des mit einer grünen Blume übermalten Brandfehlers. D 30,5 cm.
Meissen, 1738/39, das Modell von Johann Joachim Kaendler.

Ulrich Pietsch schreibt, dass Kaendler mit der Modellierung der Schüsseln zum Schwanenservice in fünf verschiedenen Größen 1738 begann. Dabei musste er den Entwurf für den kleineren Teller dem Maß der Schüssel anpassen. Pietsch zitiert den Arbeitsbericht, den der Bildhauer als Feierabendarbeit notiert: „Fünf Stück Schüßeln, von No 2 - No 6 nach dem Abfall, in gestalt einer gewachsenen Muschel, worinnen Waßer, worauf 2. Sauber ausgearbeitete Schwäne im Schilff schwimmen nebst einem Fisch Reyher, welcher einen Fisch im Schnabel hält, dergleichen auch einer über dem Waßer flieget, vor Sr. Excellenz den Herrn Reichs Grafen von Brühlen“.
Mit der Realisierung der Schüssel No. 2 wurde sofort begonnen, im Juli war diese Arbeit schon abgeschlossen. Der Former Johann Martin Kittel (1706 - 1762) ist besonders erwähnt für die Modellierung und Bossierung von „21. Schüsseln do, 2. Sorte“. 81 weitere Schüsseln formte der etwas ältere Johann Elias Grund (1703 - 1758). Obwohl die Größe oft modelliert wurde, taucht sie heute selten im Kunsthandel auf. Dennoch besitzen zahlreichen Museumssammlungen die Schüssel No. 2, wobei sich die meisten Stücke in US-amerikanischen Museen befinden. In Deutschland gibt es drei öffentlich zugängliche Schüsseln dieser Größe, eine im Museum für Kunsthandwerk Frankfurt (Inv. Nr. 12131/RF347) und zwei in Schloss Lustheim.


Literatur
Abgebildet im Kat. Blütenlese. Meißener Porzellan aus der Sammlung Tono Dreßen, München 2018, S. 95, Nr. 62.
Vgl. Rückert, München 1966, Nr. 510 und 511, die Exemlare aus der Sammlung Dr. Ernst Schneider (heute Lustheim, Inv. Nr. ES 1571 und ES 1573).
Vgl. Kat. Schwanenservice. Meissener Porzellan für Heinrich Graf von Brühl, Dresden-Leipzig 2000, S. 28, Abb. 26, S. 157 f.





A Meissen porcelain dish no. 2 from the Swan Service
With shell mouldings and wave pattern border. The centre with a depiction of two swans and herons in relief. The border painted with small indianische blumen and the Brühl-Kolowrat-Krakovský arms of alliance. Blue crossed swords mark, dreher's mark with two dots for Johann Martin Kittel jr. Restored rim chip to the left beside the coat of arms above a firing flaw concealed by a green flower. D 30.5 cm.
1738/39, the model by Johann Joachim Kaendler.

Ulrich Pietsch writes that Kaendler began modelling the dishes for the Swan Service in five different sizes in 1738, and that he had to adjust the size of the small plates to fit the size of the dishes. Pietsch cites Kaendler's workshop records, in which the sculptor recorded his work on the dishes in his spare time: "Five dishes, from no. 2 - no. 6, in the shape of a large shell and containing water upon which two swans swim alongside a heron holding a fish in its mouth and another flying above the water, for his excellence the Imperial Count of Brühl".
Work on dish no. 2 began immediately and was completed in July. The form maker Johann Martin Kittel (1706 - 1762) is mentioned especially for his work on the modelling and sculpting of "21 dishes of the 2nd design". Eighty one dishes were modelled by the elder Johann Elias Grund (1703 - 1758). Although the larger size was modelled often, it rarely appears on the market. Despite this, several museums house examples of dish no. 2, most notably American collections. Three examples of this size of plate are housed in public collections in German, namely one in the Museum für Kunsthandwerk Frankfurt (inv. no. 12131/RF347) and two in Lustheim palace.


Literature
Illus. in cat.: Blütenlese. Meißener Porzellan aus der Sammlung Tono Dreßen, Munich 2018, p. 95, no. 62.
Cf. also Rückert, Munich 1966, no. 510 and 511, examples from the collection of Dr. Ernst Schneider (now housed in Lustheim palace, inv. no. ES 1571 and ES 1573).
Cf. cat.: Schwanenservice. Meissener Porzellan für Heinrich Graf von Brühl, Dresden-Leipzig 2000, p. 28, illus. 26, p. 157 f.





Runde Schüssel No. 2 aus dem Schwanenservice
Porzellan, polychromer Emaildekor, Vergoldung. Dekoriert mit Muschelrelief und wellig geschnittenem Rand. Im Spiegel die Reliefdarstellung von zwei schwimmenden Schwänen, einem Reiher links im Schilf und einem fliegenden Reiher darüber. Auf der Fahne gestreute kleine indianische Blumen und oben die nicht zentrierte Bemalung mit dem Allianzwappen Brühl-Kolowrat-Krakovský. Blaumarke Schwerter, Dreherzeichen . . für Johann Martin Kittel jr. Restaurierter Randchip links neben dem Wappen, oberhalb des mit einer grünen Blume übermalten Brandfehlers. D 30,5 cm.
Meissen, 1738/39, das Modell von Johann Joachim Kaendler.

Ulrich Pietsch schreibt, dass Kaendler mit der Modellierung der Schüsseln zum Schwanenservice in fünf verschiedenen Größen 1738 begann. Dabei musste er den Entwurf für den kleineren Teller dem Maß der Schüssel anpassen. Pietsch zitiert den Arbeitsbericht, den der Bildhauer als Feierabendarbeit notiert: „Fünf Stück Schüßeln, von No 2 - No 6 nach dem Abfall, in gestalt einer gewachsenen Muschel, worinnen Waßer, worauf 2. Sauber ausgearbeitete Schwäne im Schilff schwimmen nebst einem Fisch Reyher, welcher einen Fisch im Schnabel hält, dergleichen auch einer über dem Waßer flieget, vor Sr. Excellenz den Herrn Reichs Grafen von Brühlen“.
Mit der Realisierung der Schüssel No. 2 wurde sofort begonnen, im Juli war diese Arbeit schon abgeschlossen. Der Former Johann Martin Kittel (1706 - 1762) ist besonders erwähnt für die Modellierung und Bossierung von „21. Schüsseln do, 2. Sorte“. 81 weitere Schüsseln formte der etwas ältere Johann Elias Grund (1703 - 1758). Obwohl die Größe oft modelliert wurde, taucht sie heute selten im Kunsthandel auf. Dennoch besitzen zahlreichen Museumssammlungen die Schüssel No. 2, wobei sich die meisten Stücke in US-amerikanischen Museen befinden. In Deutschland gibt es drei öffentlich zugängliche Schüsseln dieser Größe, eine im Museum für Kunsthandwerk Frankfurt (Inv. Nr. 12131/RF347) und zwei in Schloss Lustheim.


Literatur
Abgebildet im Kat. Blütenlese. Meißener Porzellan aus der Sammlung Tono Dreßen, München 2018, S. 95, Nr. 62.
Vgl. Rückert, München 1966, Nr. 510 und 511, die Exemlare aus der Sammlung Dr. Ernst Schneider (heute Lustheim, Inv. Nr. ES 1571 und ES 1573).
Vgl. Kat. Schwanenservice. Meissener Porzellan für Heinrich Graf von Brühl, Dresden-Leipzig 2000, S. 28, Abb. 26, S. 157 f.





A Meissen porcelain dish no. 2 from the Swan Service
With shell mouldings and wave pattern border. The centre with a depiction of two swans and herons in relief. The border painted with small indianische blumen and the Brühl-Kolowrat-Krakovský arms of alliance. Blue crossed swords mark, dreher's mark with two dots for Johann Martin Kittel jr. Restored rim chip to the left beside the coat of arms above a firing flaw concealed by a green flower. D 30.5 cm.
1738/39, the model by Johann Joachim Kaendler.

Ulrich Pietsch writes that Kaendler began modelling the dishes for the Swan Service in five different sizes in 1738, and that he had to adjust the size of the small plates to fit the size of the dishes. Pietsch cites Kaendler's workshop records, in which the sculptor recorded his work on the dishes in his spare time: "Five dishes, from no. 2 - no. 6, in the shape of a large shell and containing water upon which two swans swim alongside a heron holding a fish in its mouth and another flying above the water, for his excellence the Imperial Count of Brühl".
Work on dish no. 2 began immediately and was completed in July. The form maker Johann Martin Kittel (1706 - 1762) is mentioned especially for his work on the modelling and sculpting of "21 dishes of the 2nd design". Eighty one dishes were modelled by the elder Johann Elias Grund (1703 - 1758). Although the larger size was modelled often, it rarely appears on the market. Despite this, several museums house examples of dish no. 2, most notably American collections. Three examples of this size of plate are housed in public collections in German, namely one in the Museum für Kunsthandwerk Frankfurt (inv. no. 12131/RF347) and two in Lustheim palace.


Literature
Illus. in cat.: Blütenlese. Meißener Porzellan aus der Sammlung Tono Dreßen, Munich 2018, p. 95, no. 62.
Cf. also Rückert, Munich 1966, no. 510 and 511, examples from the collection of Dr. Ernst Schneider (now housed in Lustheim palace, inv. no. ES 1571 and ES 1573).
Cf. cat.: Schwanenservice. Meissener Porzellan für Heinrich Graf von Brühl, Dresden-Leipzig 2000, p. 28, illus. 26, p. 157 f.




Modernes Kunstgewerbe / Sammlung Dreßen / Kunstgewerbe / Abraham & David Roentgen

Auktionsdatum
Lose: 300 - 365
Lose: 600 - 795
Lose: 800 - 1231
Lose: 400 - 415
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

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6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid
another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 24 % calculated on the hammer price plus 19 % value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an D, 35% is calculated on the hammer price (24% buyer´s premium + 19% VAT on the premium only + import tax). 31% is calculated on the amount surpassing € 400.000. The D objects contain all taxes, and tehy can not be carried away immediately. On lots which are characterized by an R, the buyer shall pay a premium of 24 % on the hammer price up to € 400,000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or died after 31.12.1948, a charge of 1.8 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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