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Bedeutender Barockkelch - Bild 1 aus 3
Bedeutender Barockkelch - Bild 2 aus 3
Bedeutender Barockkelch - Bild 3 aus 3
Bedeutender Barockkelch - Bild 1 aus 3
Bedeutender Barockkelch - Bild 2 aus 3
Bedeutender Barockkelch - Bild 3 aus 3
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Köln

Bedeutender Barockkelch
Silber; vergoldet. Sechspassiger Fuß mit hoher, gravierter Zarge. Zwischen zwei glatten, sechskantigen Schaftstücken gedrückter Nodus mit rombenförmigen Rotuli; dazwischen zungenförmige Maßwerkzwickel mit fein graviertem Akanthuswerk. Auf den Rotuli gravierte Lettern "IHESUS". Die konische, leicht ausgestellte Kuppa über einem flachen Korb mit fein ziselierten Akanthusgebinden auf punziertem Grund; auf der Wandung das gravierte Wappen des Lübecker Fürstbischofs August Friedrich v. Schleswig-Holstein-Gottorf (1666 - 1705). Gegenständig graviertes Spiegelmonogramm "AF" unter Herzogskrone. Unterseitig punktgravierte Gewichtsangabe "1 Pfund, 10 5/8 loth." Ein Akanthuszweig des Kuppakorbes verloren. Marken: BZ Kiel, 18. Jh. (Rosenberg Nr. 2653), MZ Berend von Aken (auch Acken, 1667 - 1701, Zeitzschel Nr. Ki10). H 20,5 cm, Gewicht 622 g.
Kiel, Berend von Aken, letztes Drittel 17. Jh.

August Friedrich war von 1666 bis zu seinem Tode 1705 Fürstbischof von Lübeck. Sein Grab befindet sich in der Marientidenkapelle im Hochchor des Lübecker Doms. Berend von Aken war Meister in Kiel, später in Eutin. 1697 erhielt er das Privileg als Eutiner Hofgoldschmied. Eine Abendmahlkanne des Meisters befindet sich in der Schlosskapelle, Eutin, ein Krankenkelch mit Patene in der Kirche von Neukirchen.

Provenienz
Ehemals Lübecker Domschatz (Eigentum der Großherzöge v. Oldenburg); ab 1932 Slg. Leopold Salomon, Dresden, der im gleichen Jahr nach Den Haag übersiedelt; 1941 Verkauf an Hans Posse für den "Sonderauftrag Linz"; 1946 Restitution an die Niederlande; 1946 - 2008 Bonnefantenmuseum, Maastricht; 2008 Restitution an die Nachfahren Leopold Salomons. Lempertz Auktion 946, Lot 296, 20. Nov. 2009; Privatsammlung Nordrhein-Westfalen.

Literatur
Abgebildet bei Schmidt, Die Goldschmiede im Dienste der Gottorfer Herzöge, in: Beiträge zur Heimatforschung in Schleswig-Holstein, Hamburg und Lübeck, Band 33, Heide 1964, S. 85, Abb. 3; erwähnt bei Zeitzschel, Die Gold- und Silberschmiede im östlichen Schleswig-Holstein, Neumünster 1998, S. 146, hier als "Leihgabe im Bonnefantenmuseum Maastricht".





An important silver gilt Baroque chalice for the Prince Bishop of Lübeck.
Lobed base on a tall, engraved apon supporting a faceted shaft. The compressed pommel decorated with acanthus scrolls and separated into rhombus shaped rotuli inscribed "IHESUS". The tapering and slightly flaring cup issuing from a basket motif with finely chased acanthus scrolls. Engraved with the coat of arms of the Prince Bishop of Lübeck, August Friedrich von Schleswig-Holstein-Gottorf (1666 - 1705). The underside engraved with the weight "1 Pfund, 10 5/8 loth.". H 20.5 cm, weight 622 g.
Kiel, marks of Berend von Aken, last third 17th C.

August Friedrich was Prince Bishop of Lübeck from 1666 until his death in 1705. His grave is located in the Marientidenkapelle in the choir of Lübeck cathedral. Berend von Aken worked as a master goldsmith in Kiel and later in Eutin, where he received the privilege of becoming a court goldsmith in 1697. A communion jug by this maker is still housed in the palace chapel at Eutin, and a communion chalice and paten for sickbed visits in the church of Neukirchen.

Provenance
Former cathedral treasury of Lübeck (possession of the Grand Dukes of Oldenburg); as of 1932 in the collection of Leopold Salomon, Dresden, who moved to The Hague in the same year; sold to Hans Posse in 1941 as part of the "Sonderauftrag Linz"; restituted to the Netherlands in 1946; restituted to Leopold Salomon's heirs in 2008; Lempertz auction 946 on 20th November 2009, lot 296; private collection, North Rhine-Westphalia.

Literature
Illus. in: Schmidt, Die Goldschmiede im Dienste der Gottorfer Herzöge, in: Beiträge zur Heimatforschung in Schleswig-Holstein, Hamburg und Lübeck, vol. 33, Heide 1964, p. 85, illus. 3; mentioned in: Zeitzschel, Die Gold- und Silberschmiede im östlichen Schleswig-Holstein, Neumünster 1998, p. 146, here listed as "on loan to the Bonnefantenmuseum Maastricht".





Bedeutender Barockkelch
Silber; vergoldet. Sechspassiger Fuß mit hoher, gravierter Zarge. Zwischen zwei glatten, sechskantigen Schaftstücken gedrückter Nodus mit rombenförmigen Rotuli; dazwischen zungenförmige Maßwerkzwickel mit fein graviertem Akanthuswerk. Auf den Rotuli gravierte Lettern "IHESUS". Die konische, leicht ausgestellte Kuppa über einem flachen Korb mit fein ziselierten Akanthusgebinden auf punziertem Grund; auf der Wandung das gravierte Wappen des Lübecker Fürstbischofs August Friedrich v. Schleswig-Holstein-Gottorf (1666 - 1705). Gegenständig graviertes Spiegelmonogramm "AF" unter Herzogskrone. Unterseitig punktgravierte Gewichtsangabe "1 Pfund, 10 5/8 loth." Ein Akanthuszweig des Kuppakorbes verloren. Marken: BZ Kiel, 18. Jh. (Rosenberg Nr. 2653), MZ Berend von Aken (auch Acken, 1667 - 1701, Zeitzschel Nr. Ki10). H 20,5 cm, Gewicht 622 g.
Kiel, Berend von Aken, letztes Drittel 17. Jh.

August Friedrich war von 1666 bis zu seinem Tode 1705 Fürstbischof von Lübeck. Sein Grab befindet sich in der Marientidenkapelle im Hochchor des Lübecker Doms. Berend von Aken war Meister in Kiel, später in Eutin. 1697 erhielt er das Privileg als Eutiner Hofgoldschmied. Eine Abendmahlkanne des Meisters befindet sich in der Schlosskapelle, Eutin, ein Krankenkelch mit Patene in der Kirche von Neukirchen.

Provenienz
Ehemals Lübecker Domschatz (Eigentum der Großherzöge v. Oldenburg); ab 1932 Slg. Leopold Salomon, Dresden, der im gleichen Jahr nach Den Haag übersiedelt; 1941 Verkauf an Hans Posse für den "Sonderauftrag Linz"; 1946 Restitution an die Niederlande; 1946 - 2008 Bonnefantenmuseum, Maastricht; 2008 Restitution an die Nachfahren Leopold Salomons. Lempertz Auktion 946, Lot 296, 20. Nov. 2009; Privatsammlung Nordrhein-Westfalen.

Literatur
Abgebildet bei Schmidt, Die Goldschmiede im Dienste der Gottorfer Herzöge, in: Beiträge zur Heimatforschung in Schleswig-Holstein, Hamburg und Lübeck, Band 33, Heide 1964, S. 85, Abb. 3; erwähnt bei Zeitzschel, Die Gold- und Silberschmiede im östlichen Schleswig-Holstein, Neumünster 1998, S. 146, hier als "Leihgabe im Bonnefantenmuseum Maastricht".





An important silver gilt Baroque chalice for the Prince Bishop of Lübeck.
Lobed base on a tall, engraved apon supporting a faceted shaft. The compressed pommel decorated with acanthus scrolls and separated into rhombus shaped rotuli inscribed "IHESUS". The tapering and slightly flaring cup issuing from a basket motif with finely chased acanthus scrolls. Engraved with the coat of arms of the Prince Bishop of Lübeck, August Friedrich von Schleswig-Holstein-Gottorf (1666 - 1705). The underside engraved with the weight "1 Pfund, 10 5/8 loth.". H 20.5 cm, weight 622 g.
Kiel, marks of Berend von Aken, last third 17th C.

August Friedrich was Prince Bishop of Lübeck from 1666 until his death in 1705. His grave is located in the Marientidenkapelle in the choir of Lübeck cathedral. Berend von Aken worked as a master goldsmith in Kiel and later in Eutin, where he received the privilege of becoming a court goldsmith in 1697. A communion jug by this maker is still housed in the palace chapel at Eutin, and a communion chalice and paten for sickbed visits in the church of Neukirchen.

Provenance
Former cathedral treasury of Lübeck (possession of the Grand Dukes of Oldenburg); as of 1932 in the collection of Leopold Salomon, Dresden, who moved to The Hague in the same year; sold to Hans Posse in 1941 as part of the "Sonderauftrag Linz"; restituted to the Netherlands in 1946; restituted to Leopold Salomon's heirs in 2008; Lempertz auction 946 on 20th November 2009, lot 296; private collection, North Rhine-Westphalia.

Literature
Illus. in: Schmidt, Die Goldschmiede im Dienste der Gottorfer Herzöge, in: Beiträge zur Heimatforschung in Schleswig-Holstein, Hamburg und Lübeck, vol. 33, Heide 1964, p. 85, illus. 3; mentioned in: Zeitzschel, Die Gold- und Silberschmiede im östlichen Schleswig-Holstein, Neumünster 1998, p. 146, here listed as "on loan to the Bonnefantenmuseum Maastricht".




Modernes Kunstgewerbe / Sammlung Dreßen / Kunstgewerbe / Abraham & David Roentgen

Auktionsdatum
Lose: 300 - 365
Lose: 600 - 795
Lose: 800 - 1231
Lose: 400 - 415
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

Zu Aufgeld und Mehrwertsteuer prüfen Sie bitte das jeweilige Los.

For buyer’s premium and VAT please check particular lot.

AGB

standard | standard



Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid
another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 24 % calculated on the hammer price plus 19 % value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an D, 35% is calculated on the hammer price (24% buyer´s premium + 19% VAT on the premium only + import tax). 31% is calculated on the amount surpassing € 400.000. The D objects contain all taxes, and tehy can not be carried away immediately. On lots which are characterized by an R, the buyer shall pay a premium of 24 % on the hammer price up to € 400,000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or died after 31.12.1948, a charge of 1.8 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

Vollständige AGBs