Los

17

Speiseteller aus dem Tafelservice mit mythologischen Historien für Friedrich II.

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Speiseteller aus dem Tafelservice mit mythologischen Historien für Friedrich II.
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Berlin
Porzellan, Camaieudekor in Eisenrot, Vergoldung. Modell 920, Neuzierat. Der Rand und die reliefierten Zieraten mit goldradiertem Mosaik und anhängenden zweifarbigen Röschen und Blättern. Im Spiegel, im Inselstil, die feingemalte Darstellung der trauernden Klymene am Grab ihres Sohnes Phaeton. Um die monumentale Grabsäule mit bekrönender Urne und Spruch, die zu Pappelbäumen erstarrten Sonnentöchter, die Schwestern des Phaeton. Im Hintergrund der von Apoll zu einem Schwan verwandelte ligurische König Kyknos. Blaumarke Zepter, Pressnummer 13. D 24,8 cm.
Berlin, KPM, 1783.

Im Januar 1783 gab der König ein Service bei der Manufaktur in Auftrag, welches ausschließlich seinen geliebten ovidischen Metamorphosen gewidmet sein sollte. Friedrichs Leidenschaft für die römisch-griechischen Mythologien spiegelte sich nicht nur in der Gestaltung von Porzellan, sondern auch in zahlreichen Gemälden und Interieur, wie z.B. im Ovidsaal in den Neuen Kammern oder dem Konzertzimmer in Schloss Sanssouci.
Wie bei vielen anderen Servicen hatte der König auch hier exakte Vorstellungen über die Umsetzung des Dekors, welcher der Vorlage des französischen Kupferstichwerks "Les Métamorphose d'Ovide" (1767 - 1771) von Pierre Basan folgte. Bereits im Dezember 1783 wurde das Service auf Schloss Sanssouci geliefert und ist in den dortigen Inventaren der Silberkammer verzeichnet.

Provenienz
Sammlung Renate und Tono Dreßen.

Literatur
Vgl. Lenz, Berlin 1913, 2. Bd., Taf. 150, Abb. 708.
Vgl. Teller und andere Formteile bei Köllmann, Braunschweig 1966, Bd. 2, Taf. 141. Zur Geschichte des Services s. Bd. 1, S. 306.
Weitere Stücke aus dem Besitz der Stiftung Huis Doorn abgebildet im Kat. Kaiserlicher Kunstbesitz, Berlin 1991, Nr. 105.
Zur allgemeinen Darstellung ovidischer Szenen auf Porzellan s. Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, S. 3 - 13.
Vgl. Kat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-München 2010, S.46.

Model no. 920 with Neuzierat mouldings. The relief moulded rim decorated with gilt etched mosaics and roses. The centre of the well with a finely painted depiction of Clymene mourning at the grave of her son Phaeton. The grave monument, crowned by an urn and an inscription, is surrounded by the sisters of Phaeton – daughters of the sun who were transformed into poplar trees. In the background is Cycnus, King of Liguria, who was transformed into a swan by Apollo. Blue sceptre mark, pressnummer 13. D 24.8 cm.
1783.

In January 1783, King Friedrich II placed an order with the manufactory for a service which was to be exclusively decorated with scenes from Ovid's Metamorphoses, which he loved. The king's passion for ancient Greek and Roman mythology not only found its expression in porcelain designs, but also in the numerous paintings which decorated the interiors of his castles, such as the concert room and the Ovid Gallery in the New Chambers of Sanssouci. As with his many other services, the king had a precise idea in mind of how he wanted it to be decorated. The designs were to be based on the engravings from the French work "Les Métamorphose d'Ovide" (1767 - 1771) by Pierre Basan. The service was delivered to Sanssouci Palace in December 1783 and is listed in the inventory of the silver chamber.

Provenance
Collection of Renate and Tono Dreßen.

Literature
Cf. Lenz, Berlin 1913, vol. 2, pl. 150, illus. 708. Cf. plates and various moulded items in: Köllmann, Braunschweig 1966, vol. 2, pl. 141. For more on the history of the service, see vol. 1, p. 306. Further pieces in the possession of the Stiftung Huis Doorn are illustrated in cat.: Kaiserlicher Kunstbesitz, Berlin 1991, no. 105. For general information on the depiction of scenes from Ovid on porcelain see: Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, p. 3 – 13. Cf. cat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-Munich 2010, p.46.
Porzellan, Camaieudekor in Eisenrot, Vergoldung. Modell 920, Neuzierat. Der Rand und die reliefierten Zieraten mit goldradiertem Mosaik und anhängenden zweifarbigen Röschen und Blättern. Im Spiegel, im Inselstil, die feingemalte Darstellung der trauernden Klymene am Grab ihres Sohnes Phaeton. Um die monumentale Grabsäule mit bekrönender Urne und Spruch, die zu Pappelbäumen erstarrten Sonnentöchter, die Schwestern des Phaeton. Im Hintergrund der von Apoll zu einem Schwan verwandelte ligurische König Kyknos. Blaumarke Zepter, Pressnummer 13. D 24,8 cm.
Berlin, KPM, 1783.

Im Januar 1783 gab der König ein Service bei der Manufaktur in Auftrag, welches ausschließlich seinen geliebten ovidischen Metamorphosen gewidmet sein sollte. Friedrichs Leidenschaft für die römisch-griechischen Mythologien spiegelte sich nicht nur in der Gestaltung von Porzellan, sondern auch in zahlreichen Gemälden und Interieur, wie z.B. im Ovidsaal in den Neuen Kammern oder dem Konzertzimmer in Schloss Sanssouci.
Wie bei vielen anderen Servicen hatte der König auch hier exakte Vorstellungen über die Umsetzung des Dekors, welcher der Vorlage des französischen Kupferstichwerks "Les Métamorphose d'Ovide" (1767 - 1771) von Pierre Basan folgte. Bereits im Dezember 1783 wurde das Service auf Schloss Sanssouci geliefert und ist in den dortigen Inventaren der Silberkammer verzeichnet.

Provenienz
Sammlung Renate und Tono Dreßen.

Literatur
Vgl. Lenz, Berlin 1913, 2. Bd., Taf. 150, Abb. 708.
Vgl. Teller und andere Formteile bei Köllmann, Braunschweig 1966, Bd. 2, Taf. 141. Zur Geschichte des Services s. Bd. 1, S. 306.
Weitere Stücke aus dem Besitz der Stiftung Huis Doorn abgebildet im Kat. Kaiserlicher Kunstbesitz, Berlin 1991, Nr. 105.
Zur allgemeinen Darstellung ovidischer Szenen auf Porzellan s. Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, S. 3 - 13.
Vgl. Kat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-München 2010, S.46.

Model no. 920 with Neuzierat mouldings. The relief moulded rim decorated with gilt etched mosaics and roses. The centre of the well with a finely painted depiction of Clymene mourning at the grave of her son Phaeton. The grave monument, crowned by an urn and an inscription, is surrounded by the sisters of Phaeton – daughters of the sun who were transformed into poplar trees. In the background is Cycnus, King of Liguria, who was transformed into a swan by Apollo. Blue sceptre mark, pressnummer 13. D 24.8 cm.
1783.

In January 1783, King Friedrich II placed an order with the manufactory for a service which was to be exclusively decorated with scenes from Ovid's Metamorphoses, which he loved. The king's passion for ancient Greek and Roman mythology not only found its expression in porcelain designs, but also in the numerous paintings which decorated the interiors of his castles, such as the concert room and the Ovid Gallery in the New Chambers of Sanssouci. As with his many other services, the king had a precise idea in mind of how he wanted it to be decorated. The designs were to be based on the engravings from the French work "Les Métamorphose d'Ovide" (1767 - 1771) by Pierre Basan. The service was delivered to Sanssouci Palace in December 1783 and is listed in the inventory of the silver chamber.

Provenance
Collection of Renate and Tono Dreßen.

Literature
Cf. Lenz, Berlin 1913, vol. 2, pl. 150, illus. 708. Cf. plates and various moulded items in: Köllmann, Braunschweig 1966, vol. 2, pl. 141. For more on the history of the service, see vol. 1, p. 306. Further pieces in the possession of the Stiftung Huis Doorn are illustrated in cat.: Kaiserlicher Kunstbesitz, Berlin 1991, no. 105. For general information on the depiction of scenes from Ovid on porcelain see: Braesel, Ovid auf Porzellan, Speisen und Erzählen, in: Keramos 196/2007, p. 3 – 13. Cf. cat. Kronschatz und Silberkammer der Hohenzollern, Berlin-Brandenburg-Munich 2010, p.46.

Preußen Auktion

Auktionsdatum
Lose: 562
Ort der Versteigerung
Poststr. 21-22
Berlin
10178
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

Aufgeld 25% bis 400,000; 20% über 400,000 

zzgl. 19 % USt. (nicht ausgewiesen, Differenzbesteuerung)

Live-Gebühren 3%

Buyer´s premium 25% up to 400,000; 20% over 400,000 

+ 19 % VAT (margin scheme)

Live bidding fee 3%

 

 

 

AGB

Conditions of sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Commercial Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere due to violation of due dilligence according to §§ 41 ff. KGSG are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.

6. Submission of bids. Lempertz reserves the right to approve bidders for the auction and especially the right to make this approval dependent upon successful identification in terms of § 1 para. 3 GWG. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid, especially when the bidder cannot be successfully identified in terms of § 1 para. 3 GWG. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence. Further information can be found in our privacy policy at www.lempertz.com/ datenschutzerklärung.html

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 25 % calculated on the hammer price plus 19 % value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an R, the buyer shall pay the statutory VAT of 19 % on the hammer price and the buyer’s premium (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or deceased for less than 70 years (§ 64 UrhG), a charge of 1.8 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. For payments which amount to EUR 10,000.00 or more, Lempertz is obliged to make a copy of the photo ID of the buyer according to §3 of the German Money Laundry Act (GWG). This applies also to cases in which payments of EUR 10,000.00 or more are being made for more than one invoice. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate. The transfer is subject to successful identification (§ 1 para. 3 GWG) of the bidder and of the person to whom the invoice is transferred. Invoices will only be issued to those persons actually responsible for settling the invoices.

11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages instead of performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Regarding the treatment of personal data, we would like to point out the data protection notice on our website.

Henrik Hanstein, sworn public auctioneer

Vollständige AGBs