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Jason Rhoades, Wiring Harness

In Evening Sale - Moderne und Zeitgenössische Kun...

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Jason Rhoades, Wiring Harness
Kabel, Drähte, Eisenstangen, Kabelbinder und Fußplatten von Perfect World Ø ca. 220 cm. - Mit Atelier- und leichten Altersspuren.

Mit beiliegendem signierten Photozertifikat des Künstlers vom 11.11.2002 (dort betitelt: Wiring Harnass)

Provenienz
Hauser & Wirth, Zürich (2002); Privatsammlung, Belgien

Das Werk ist in Brüssel zu besichtigen.
Für weitere Informationen: Tel +32 2 514 05 86 709

Jason Rhoades, der vor allem für seine originellen und großformatigen skulpturalen Installationen bekannt ist, lässt sich von der Autokultur in Los Angeles sowie von historischen und zeitgenössischen globalen und regionalen Einflüssen inspirieren. Er verbindet diesen Materialismus mit Ironie und Humor.
Rhoades' Werke bestehen aus gefundenen Objekten und Baumaterialien wie Kabeln, Holz, Kisten, Kleidung und Leuchtreklamen, die er in Skulpturen verwandelt. Er betrachtet seine Kunstwerke als fortlaufende Prozesse, bei denen er kontinuierlich Elemente hinzufügt oder entfernt.
In Wiring Harness von 1998 kombiniert Rhoades Kabel, die zusammengebunden und um eine Metallstruktur gewickelt sind, zu einer kreisförmigen Form, die Bewegung und Fluss impliziert. Das Werk lässt sich als eine Erkundung miteinander verbundener Systeme betrachten und symbolisiert die verborgenen Verbindungen, die Strukturen oder Ideen zusammenhalten. Zugleich deutet es - womöglich ironischerweise - auf die Störung oder Auflösung dieser Systeme hin, indem es die Zerbrechlichkeit dessen andeutet, was stabil oder sorgfältig konstruiert zu sein scheint.
Rhoades schuf das Werk in einer Zeit großen Erfolgs, als er immer häufiger in Europa ausstellte und große internationale Anerkennung fand. Trotzdem widersetzt er sich der Zuordnung zu einer bestimmten Kunstrichtung und lehnt die Konventionen und Regeln der Kunstwelt ab. Seine Werke sind unter anderem in den Sammlungen des Centre Pompidou (Paris), des Museum of Modern Art, des Whitney Museum und des Guggenheim (New York), der Tate Modern (London) und des Van Abbe Museum (Eindhoven) vertreten.
Jason Rhoades, Wiring Harness
Cables, wires, iron rods, cable ties and footplate from Perfect World Ø approx. 220 cm. - Traces of studio and minor traces of age.

With accompanying signed photo certificate by the artist, dated 11.11.2002 (there titled: Wiring Harnass)

Provenance
Hauser & Wirth, Zurich (2002); private collection, Belgium

The work can be viewed in Brussels.
For further information: phone +32 2 514 05 86 709

Jason Rhoades, best known for his original and large-scale sculptural installations, draws inspiration from the car culture in Los Angeles as well as from historical and contemporary global and regional influences. He combines this materialism with irony and humor.
Rhoades’ works consist of found objects and building materials such as cables, wood, crates, clothing, and neon signs, transforming them into sculptures. He approaches his artworks as ongoing projects, continuously adding or removing elements along the way.
In Wiring Harness from 1998, Rhoades combines cables strapped together and wrapped around a metal structure, forming a circular shape that suggests movement and flow. The piece can be seen as an exploration of interconnected systems, symbolizing the hidden connections that hold structures or ideas together. At the same time, perhaps ironically, it may also hint at the disruption or unraveling of those systems, suggesting the fragile nature of what might appear to be stable or carefully constructed.
Rhoades creates the work during a period of high success, as he was exhibiting more frequently in Europe and gaining international recognition. Despite this, he resists being associated with any specific art movement and disregarded the conventions and rules of the art world. He achieves significant acclaim, with his work included in the collections of the Centre Pompidou (Paris), Museum of Modern Art, Whitney Museum, and Guggenheim (New York), Tate Modern (London) and Van Abbe Museum (Eindhoven) among others.
Jason Rhoades, Wiring Harness
Kabel, Drähte, Eisenstangen, Kabelbinder und Fußplatten von Perfect World Ø ca. 220 cm. - Mit Atelier- und leichten Altersspuren.

Mit beiliegendem signierten Photozertifikat des Künstlers vom 11.11.2002 (dort betitelt: Wiring Harnass)

Provenienz
Hauser & Wirth, Zürich (2002); Privatsammlung, Belgien

Das Werk ist in Brüssel zu besichtigen.
Für weitere Informationen: Tel +32 2 514 05 86 709

Jason Rhoades, der vor allem für seine originellen und großformatigen skulpturalen Installationen bekannt ist, lässt sich von der Autokultur in Los Angeles sowie von historischen und zeitgenössischen globalen und regionalen Einflüssen inspirieren. Er verbindet diesen Materialismus mit Ironie und Humor.
Rhoades' Werke bestehen aus gefundenen Objekten und Baumaterialien wie Kabeln, Holz, Kisten, Kleidung und Leuchtreklamen, die er in Skulpturen verwandelt. Er betrachtet seine Kunstwerke als fortlaufende Prozesse, bei denen er kontinuierlich Elemente hinzufügt oder entfernt.
In Wiring Harness von 1998 kombiniert Rhoades Kabel, die zusammengebunden und um eine Metallstruktur gewickelt sind, zu einer kreisförmigen Form, die Bewegung und Fluss impliziert. Das Werk lässt sich als eine Erkundung miteinander verbundener Systeme betrachten und symbolisiert die verborgenen Verbindungen, die Strukturen oder Ideen zusammenhalten. Zugleich deutet es - womöglich ironischerweise - auf die Störung oder Auflösung dieser Systeme hin, indem es die Zerbrechlichkeit dessen andeutet, was stabil oder sorgfältig konstruiert zu sein scheint.
Rhoades schuf das Werk in einer Zeit großen Erfolgs, als er immer häufiger in Europa ausstellte und große internationale Anerkennung fand. Trotzdem widersetzt er sich der Zuordnung zu einer bestimmten Kunstrichtung und lehnt die Konventionen und Regeln der Kunstwelt ab. Seine Werke sind unter anderem in den Sammlungen des Centre Pompidou (Paris), des Museum of Modern Art, des Whitney Museum und des Guggenheim (New York), der Tate Modern (London) und des Van Abbe Museum (Eindhoven) vertreten.
Jason Rhoades, Wiring Harness
Cables, wires, iron rods, cable ties and footplate from Perfect World Ø approx. 220 cm. - Traces of studio and minor traces of age.

With accompanying signed photo certificate by the artist, dated 11.11.2002 (there titled: Wiring Harnass)

Provenance
Hauser & Wirth, Zurich (2002); private collection, Belgium

The work can be viewed in Brussels.
For further information: phone +32 2 514 05 86 709

Jason Rhoades, best known for his original and large-scale sculptural installations, draws inspiration from the car culture in Los Angeles as well as from historical and contemporary global and regional influences. He combines this materialism with irony and humor.
Rhoades’ works consist of found objects and building materials such as cables, wood, crates, clothing, and neon signs, transforming them into sculptures. He approaches his artworks as ongoing projects, continuously adding or removing elements along the way.
In Wiring Harness from 1998, Rhoades combines cables strapped together and wrapped around a metal structure, forming a circular shape that suggests movement and flow. The piece can be seen as an exploration of interconnected systems, symbolizing the hidden connections that hold structures or ideas together. At the same time, perhaps ironically, it may also hint at the disruption or unraveling of those systems, suggesting the fragile nature of what might appear to be stable or carefully constructed.
Rhoades creates the work during a period of high success, as he was exhibiting more frequently in Europe and gaining international recognition. Despite this, he resists being associated with any specific art movement and disregarded the conventions and rules of the art world. He achieves significant acclaim, with his work included in the collections of the Centre Pompidou (Paris), Museum of Modern Art, Whitney Museum, and Guggenheim (New York), Tate Modern (London) and Van Abbe Museum (Eindhoven) among others.

Evening Sale - Moderne und Zeitgenössische Kunst

Auktionsdatum
Lose: 1-77
Ort der Versteigerung
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Köln
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Germany

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Vorbesichtigung
KÖLN

Samstag 24. Mai | 10 – 16 Uhr
Sonntag 25. Mai | 11 – 16 Uhr
Montag 26. Mai – Mittwoch 28. Mai
10 – 17.30 Uhr
Donnerstag 29. Mai | 11 – 15 Uhr

Matinée
Samstag 24. Mai | 12 Uhr
Isabel Apiarius-Hanstein und Henrik Hanstein treffen Sebastian Preuss
(Senior Editor WELTKUNST) zum Gespräch über das Erbe
Oskar Schlemmers
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MÜNCHEN
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Dienstag 6. Mai und Mittwoch 7. Mai
jeweils 10 – 17 Uhr
________________________________________________
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Vernissage | Samstag 26. April
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Sonntag 27. April 11 – 17.00 Uhr
Montag 28. April und Dienstag 29. April
jeweils 10 – 17.30 Uhr
________________________________________________
BERLIN
In Auswahl
Poststr. 22, 10178 Berlin-Mitte

Vernissage | Montag 12. Mai
18 – 21 Uhr

Dienstag 13. Mai und Mittwoch 14. Mai
jeweils 10 – 17 Uhr

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Stichworte: Jason Rhoades, Contemporary Art