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IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA

In Islamic Art Auction November 2020

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IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 1 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 2 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 3 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 4 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 5 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 6 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 7 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 8 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 9 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 10 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 1 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 2 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 3 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 4 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 5 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 6 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 7 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 8 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 9 aus 10
IKTIFA FI MAGHAZI AL-MUSTAFA WAL KHULAFA AL-THALATHA, LATE 14TH-EARLY 15TH CENTURY, BY ABU RABI SULA - Bild 10 aus 10
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Hattem
Arabic manuscript on paper, 25 lines to each page, written in black Hijazi script, titles and catchwords written in red ink, with Arabic poems throughout.With different seal impressions and ownership statements.The 3rd volume of Kitab Fi Maghazi, About Abu Bakr's succession of the prophet 'khilafat Abu Bakr' and the main events during it.It is a very important part of the 4 volumes as it covers a very critical period of the history of the Islam, dangers and the challenges facing the new caliphate.-After the death of the prophet, a gathering of the Ansar took place in the Saqifa resulting, after some turbulences, in choosing Abu bakr.-Ridda Wars': just after the death of the Prophet, troubles emerged soon after Abu Bakr's succession, with several Arab tribes launching revolts, threatening the unity and stability of the new community and state. These insurgencies and the caliphate's responses to them are collectively referred to as the Ridda wars. The caliph distributed the available manpower among 11 main corps.26.5 by 18 cm.* Khalid Ibn Walid moved against Tulaiha bin Khuwailad Al-Asdee at Buzakha. Khalid had 6000 men under his disposal while Tulayha had 15000 men. Khalid got a tremendous victory which was decided by individual skills rather than by brilliant maneuvers. Then against Malik bin Nuwaira, at Butawar, with his clan Butah as a large part of Bani Tamim remained moslim. *Ridda in Oman: where the dominant tribe of Azd had revolted under their chief Laqeet bin Malik, known more commonly as 'Dhu'l-Taj'. Abu bakr sent Hudaifa bin Mihsan, later Ikrimah arrived with reinforcements from the Caliph, who defeated Dhul-Taj at a battle at Dibba.* Ridda in Yemen: was the first the province to rebel against the caliphate when the tribe of Ans rose in arms under the leadership of its chief and self-proclaimed prophet Al-Aswad Al-Ansi, the Black One. Fairoz with remaining Yemeni muslims took shelter in the mountains for 6 months until he felt strong and marched to San'a and defeated Qias, who later surrendered with his men and were pardoned by the caliph. *Ridda in Hadhrameut:  the last of the great revolts was that of the powerful tribe of Kindah, which inhabited the region of Najran, Hadhramaut, and eastern Yemen. Ziyad bin Lubaid with the forces of Muhajir and the forces of Ikrimah defeated Ash'ath and laid siege to Nujair.*Ridda in Al-Yamama:  was the biggest and most threatening revolt under Musaylimah, a self-proclaimed prophet, Abu Bakr sent Ikrimah to make contact with Musaylima but not to engage until Khalid joined him. However Ikrimah, before the reinforcements arrived, attacked Musaylima and was defeated. Another commander, Shurahbil stationed with his forces at Yamamah, engaged with Musaylima's forces and was defeated too. Khalid joined the remnants of Shurahbil's corps early in December 632. The combined forces of Muslims, 13000 strong, finally defeated Musaylima's army in the battle of Yamama.-The conquest of the Levant: Abu Bakr, reasoning that it was inevitable that one of these powers (Byzantine and Persian empire) would launch a preemptive strike against the youthful caliphate, decided that it was better to deliver the first blow himself.*Battle of Ajnadayn: it was the first major pitched battle between the Byzantine (Roman) Empire and the army of the Arab Rashidun Caliphate, with a decisive Muslim victory. Battle of Fahl with a great victory for Khalid Ibn Al-Walid.*Battle of Yarmouk: consisted of a series of engagements that lasted for six days in August 636, near the Yarmouk River, with a complete Muslim victory that ended Byzantine rule in Syria, is regarded as one of the most decisive battles in military history. After Ajnadayn the Muslim army conquered Damascus after a long siege, the army continued their march northward and in late 635 AD, Abu Ubaidah ibn al-Jarrah sent Khalid ibn Walid with his mobile guard to begin the siege of Emesa/Hums. After Yarmouk victory, Umar, the new Caliph, visited Jerusalem and gave its people "al-?Uhda al-?Umariyya, after receiving the keys of the city from the Patriarch Sophronius.In Kitab Fi Maghazi the author reviews in his four volumes the date of the beginning of Islam and parts of the life of the Messenger of God, and the invasions that took place in his days and the days of his first three successors. In all of this, he sought assistance from the works of his predecessors from among the imams of the Prophet’s biography, such as Ibn Ishaq, al-Madani, Musa ibn Uqba and al-Waqdi, but he omitted from these sources the lengthy genealogies, conflicting news and narrations. he kept only what was confirmed by the authentic hadiths narrated from the trusted companions and their relatives.Author: Abu Rabi Sulaiman ibn Musa Al-Kala'i (555/1160-634/1237) Andalusian historian, writer, poet, Hadith scholar and Friday liturgical preacher, and ceremonial court orator in the service of the Almohads in Valencia. He was born in 565 AH/1160 AD, Murcia, and soon his family moved with him to Valencia and settled there. Then he traveled in 587 AH to seek knowledge from scholars in Andalusia, and visited Seville, Granada, Shattah and Malaga, and received Ijazeh from many scholars and sheikhs. When he returned to Valencia, the scholars flock to him from everywhere to learn from him and get an Ijazah in different sciences.He was famed for his eloquence as an orator and belletrist as He was an advanced imam in the science of recitation, He was skilled in the sciences of the Quran and intonation. He wrote several books on the Hadith, fully aware of its methods, controlling the rulings of Al-Isnad. wrote more than 25 works but he was best known for this book. Al-Kala'i was seventy years old when he participated in military campaign against t the huge Spanish army, at Anticha, seven miles from the city of Valencia, he carried the flag until he was killed, on Thursday - 20 Dhu al-Hijjah 634 AH/1237 AD
Arabic manuscript on paper, 25 lines to each page, written in black Hijazi script, titles and catchwords written in red ink, with Arabic poems throughout.With different seal impressions and ownership statements.The 3rd volume of Kitab Fi Maghazi, About Abu Bakr's succession of the prophet 'khilafat Abu Bakr' and the main events during it.It is a very important part of the 4 volumes as it covers a very critical period of the history of the Islam, dangers and the challenges facing the new caliphate.-After the death of the prophet, a gathering of the Ansar took place in the Saqifa resulting, after some turbulences, in choosing Abu bakr.-Ridda Wars': just after the death of the Prophet, troubles emerged soon after Abu Bakr's succession, with several Arab tribes launching revolts, threatening the unity and stability of the new community and state. These insurgencies and the caliphate's responses to them are collectively referred to as the Ridda wars. The caliph distributed the available manpower among 11 main corps.26.5 by 18 cm.* Khalid Ibn Walid moved against Tulaiha bin Khuwailad Al-Asdee at Buzakha. Khalid had 6000 men under his disposal while Tulayha had 15000 men. Khalid got a tremendous victory which was decided by individual skills rather than by brilliant maneuvers. Then against Malik bin Nuwaira, at Butawar, with his clan Butah as a large part of Bani Tamim remained moslim. *Ridda in Oman: where the dominant tribe of Azd had revolted under their chief Laqeet bin Malik, known more commonly as 'Dhu'l-Taj'. Abu bakr sent Hudaifa bin Mihsan, later Ikrimah arrived with reinforcements from the Caliph, who defeated Dhul-Taj at a battle at Dibba.* Ridda in Yemen: was the first the province to rebel against the caliphate when the tribe of Ans rose in arms under the leadership of its chief and self-proclaimed prophet Al-Aswad Al-Ansi, the Black One. Fairoz with remaining Yemeni muslims took shelter in the mountains for 6 months until he felt strong and marched to San'a and defeated Qias, who later surrendered with his men and were pardoned by the caliph. *Ridda in Hadhrameut:  the last of the great revolts was that of the powerful tribe of Kindah, which inhabited the region of Najran, Hadhramaut, and eastern Yemen. Ziyad bin Lubaid with the forces of Muhajir and the forces of Ikrimah defeated Ash'ath and laid siege to Nujair.*Ridda in Al-Yamama:  was the biggest and most threatening revolt under Musaylimah, a self-proclaimed prophet, Abu Bakr sent Ikrimah to make contact with Musaylima but not to engage until Khalid joined him. However Ikrimah, before the reinforcements arrived, attacked Musaylima and was defeated. Another commander, Shurahbil stationed with his forces at Yamamah, engaged with Musaylima's forces and was defeated too. Khalid joined the remnants of Shurahbil's corps early in December 632. The combined forces of Muslims, 13000 strong, finally defeated Musaylima's army in the battle of Yamama.-The conquest of the Levant: Abu Bakr, reasoning that it was inevitable that one of these powers (Byzantine and Persian empire) would launch a preemptive strike against the youthful caliphate, decided that it was better to deliver the first blow himself.*Battle of Ajnadayn: it was the first major pitched battle between the Byzantine (Roman) Empire and the army of the Arab Rashidun Caliphate, with a decisive Muslim victory. Battle of Fahl with a great victory for Khalid Ibn Al-Walid.*Battle of Yarmouk: consisted of a series of engagements that lasted for six days in August 636, near the Yarmouk River, with a complete Muslim victory that ended Byzantine rule in Syria, is regarded as one of the most decisive battles in military history. After Ajnadayn the Muslim army conquered Damascus after a long siege, the army continued their march northward and in late 635 AD, Abu Ubaidah ibn al-Jarrah sent Khalid ibn Walid with his mobile guard to begin the siege of Emesa/Hums. After Yarmouk victory, Umar, the new Caliph, visited Jerusalem and gave its people "al-?Uhda al-?Umariyya, after receiving the keys of the city from the Patriarch Sophronius.In Kitab Fi Maghazi the author reviews in his four volumes the date of the beginning of Islam and parts of the life of the Messenger of God, and the invasions that took place in his days and the days of his first three successors. In all of this, he sought assistance from the works of his predecessors from among the imams of the Prophet’s biography, such as Ibn Ishaq, al-Madani, Musa ibn Uqba and al-Waqdi, but he omitted from these sources the lengthy genealogies, conflicting news and narrations. he kept only what was confirmed by the authentic hadiths narrated from the trusted companions and their relatives.Author: Abu Rabi Sulaiman ibn Musa Al-Kala'i (555/1160-634/1237) Andalusian historian, writer, poet, Hadith scholar and Friday liturgical preacher, and ceremonial court orator in the service of the Almohads in Valencia. He was born in 565 AH/1160 AD, Murcia, and soon his family moved with him to Valencia and settled there. Then he traveled in 587 AH to seek knowledge from scholars in Andalusia, and visited Seville, Granada, Shattah and Malaga, and received Ijazeh from many scholars and sheikhs. When he returned to Valencia, the scholars flock to him from everywhere to learn from him and get an Ijazah in different sciences.He was famed for his eloquence as an orator and belletrist as He was an advanced imam in the science of recitation, He was skilled in the sciences of the Quran and intonation. He wrote several books on the Hadith, fully aware of its methods, controlling the rulings of Al-Isnad. wrote more than 25 works but he was best known for this book. Al-Kala'i was seventy years old when he participated in military campaign against t the huge Spanish army, at Anticha, seven miles from the city of Valencia, he carried the flag until he was killed, on Thursday - 20 Dhu al-Hijjah 634 AH/1237 AD

Islamic Art Auction November 2020

Auktionsdatum
Lose: 306
Ort der Versteigerung
Kerkhofstraat 3
Hattem
8051 GG
Netherlands

Generelle Versandinformationen vom Auktionshaus verfügbar

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Wichtige Informationen

Viewing dates: Appointment only (because of the strict COVID-19 regulations)

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ORIENTAL ART AUCTIONS B.V. - CONDITIONS OF SALE
Conditions of business Oriental Art Auctions 
Applicable when buying movable property at auction

1 APPLICABILITY

1.1 The present Conditions of Sale are applicable to all parts of the relationship between the Oriental Art Auctions  and the Buyer, which include a particular sale, purchase, intermediary services, appraisals, evaluations, estimates, cataloguing, and custody. The term 'Buyer' includes the 'Intending Buyer' who participates in the auction.
1.2 Any departure from the present Conditions of Sale is only possible if and insofar as expressly agreed in writing by Oriental Art Auctions.
1.3 Visitors to the auction shall be made aware of the applicability of these Conditions of Sale by means of publication available at the sale room in advance of the auction sale and/or by means of communication made prior to the sale. By participating in the auction sale each person acknowledges the applicability of the present Conditions of Sale and their complete acceptance thereof.

2. DUTY TO INFORM / DUTY TO INSPECT

2.1 Catalogue descriptions and any written or oral information given by the Specialist are to the best of his/her knowledge.
2.2 Prior to the sale the Buyer should satisfy him/herself as to both the condition and the accuracy of the description of any item in the internet catalogue or on the lot list by personally examining said item thoroughly or by having said item inspected carefully and expertly in order to form his/her own opinion as to the degree of correspondence between the item and its description. The Buyer should, where reasonably necessary or desirable, seek the opinion of an independent expert, and should not rely on the illustrations in printed, online or digital transmitted form. In the event that a description makes reference to certain faults or imperfections, Buyers should note that it is an indication which is not intended to be exhaustive and that there may be other faults not expressly referred to from which no rights can be derived.
2.3 Oriental Art Auctions cannot be held liable for the accuracy of the description published or expressed by any other means with respect to materials such as, for instance, types of wood, fabrics, alloys, earthenware, porcelain, and diamonds, all the above with the exception of precious metals. The Specialist accepts liability in case of an erroneous description only insofar as set out in Clause 6 of the present Conditions of Sale.

3. BIDDING

3.1 Buyers may bid in person. It is also possible for a bidder to submit a telephone bid or a written bid. Other methods of bidding, for example, electronic or over the Internet or by means of oral instructions, are only available when said services are expressly offered by Oriental Art Auctions.
3.2 Commission bids should be clear and unambiguous and in the opinion of Oriental Art Auctions must be received well in advance of the start of any auction session. In the event that Oriental Art Auctions shall receive several commission bids on a Lot for identical amounts and at auction said commission bids are the highest bids for that Lot, in the above event, the Lot in question shall be knocked down by Oriental Art Auctions to the person whose commission bid (for the relevant amount) was received first.
3.3 Commission bids shall only be executed in the event that Oriental Art Auctions can reasonably be expected to do so and Oriental Art Auctions has discretion at all times to decide not to bring out a commission bid.
3.4 In the event that a Buyer wishes to bid by telephone, said telephone bid must be confirmed in writing no later than one day prior to auction.
3.5 Oriental Art Auctions shall exclude any and all liability whatsoever in the event that for whatever reason a telephone bid is unsuccessful, similarly in the event that for whatever reason a commission bid, electronic bid or bid over the Internet is unsuccessful.

4. FORMATION OF A PURCHASE AGREEMENT

4.1 The purchase is concluded by way of definitive allocation. Definitive allocation occurs upon acceptance by Oriental Art Auctions of the Buyer's bid as the final bid and the knocking down of the Lot to the Buyer.
4.2 All Lots are sold 'AS IS', in the condition they are in at the fall of the hammer.

5. BUYER'S OBLIGATIONS

5.1 The Buyer shall provide proof of identity upon Oriental Art Auctions' request.
5.2 Buyers are deemed to be bidding for their own account and are personally liable for their bids without being able to rely on a principal.
5.3 The rights and obligations by reason of the Purchase Agreement and the present Conditions of Sale accrue exclusively to the Buyer and cannot be transferred to a third party.

6. AUCTIONEER'S LIABILITY TO BUYER

6.1 Unless certain items in the catalogue or on the lot list are expressly excluded - without prejudice to Clauses 2 & 4.2 - the Specialist may be willing to set aside the sale of a Lot sold at auction and to refund an amount corresponding to the original Purchase Price and auction costs in the event that the Seller within a period of three weeks subsequent to the sale has established to the satisfaction of Oriental Art Auctions that the Lot sold at auction has such serious hidden faults or that the description given is shown to be so erroneous that, had the Buyer been aware of said faults or had there been an accurate description at the fall of the hammer, said Buyer would have decided not to proceed with the purchase or would have made the purchase only at a considerably lower price. The above is not applicable to faults that are in relation to the condition of the item (such as, for instance, normal wear and restoration).
6.2 Oriental Art Auctions may refuse to take back a Lot in the event that its description was retracted in advance of or during a sale and the public has been informed of the correct description by means of oral announcements or the posting of notices in the saleroom.
6.3 The Buyer also forfeits any willingness on the part of Oriental Art Auctions to set aside the sale upon failure to return the item sold at auction in the same condition that it was in at the fall of the hammer, the above at the discretion of Oriental Art Auctions.

7. THE RIGHTS OF THE SPECIALIST AND ORIENTAL ART AUCTIONS

7.1 Oriental Art Auctions reserve the following rights:
a. to refuse at its discretion any person as a bidder or Buyer;
b. to change at all times the numerical order of Lots on sale;
c. for items to be withdrawn or added;
d. to combine or divide Lots
e. to withhold or delay the sale of Lots;
f. to rectify erroneous bids and allocations, or to cancel a purchase so that the Buyer is unable to benefit from any such mistake by invoking the formation of a Purchase agreement;
g. to claim upon allocation immediate payment in whole or in part; in case of refusal or inability to pay, Oriental Art Auctions is authorized to cancel the Purchase agreement and subsequently resell the particular Lot and to reject at any future auction any bids made by the defaulting bidder;
h. to set aside the Purchase agreement and to resell the item in the event that the Buyer refuses upon request to supply Oriental Art Auctions with his/her full name and address by presenting valid proof of identity;
i. not to transfer items from the account of the original Buyer to that of a third party;
j. not to release items in the course of an auction;
k. to execute bids for and on behalf of a Buyer or a Seller;
l. to resell at auction any Lot that was subject to a dispute during or shortly after a sale, and to set aside any Purchase agreement pertaining thereto.
m. to request a deposit from registered bidders prior to the sale

8. PAYMENT/ TRANSFER OF TITLE

8.1 Payment by the Buyer to Oriental Art Auctions, of the Purchase Price in Euros plus auction costs, other charges and VAT, if due, all of which to be determined by Oriental Art Auctions, must occur prior to the release of the purchased items within 7 days after the Sale or within the time limit to be determined by Oriental Art Auctions, whereby no discount or set-off is permissible.
8.2 Invocation of the so-called margin scheme can only be made in the event that prior to the sale all the necessary conditions have been met, including inter alia the declaration of purchase for VAT purposes (inkoopverklaring); the above at the absolute sole discretion of Oriental Art Auctions.
8.3 Title to the property in a Lot shall not pass to the Buyer until full payment of the Purchase Price has been made and in case of overdue payment, not until payment of the Purchase Price including the costs/charges mentioned in Clause 9 has been made in full.

9. OVERDUE PAYMENT

9.1 In case of non-payment Oriental Art Auctions may charge the Buyer interest at a rate equal to that of the statutory interest plus 3%, to be calculated with effect from the date upon which the term for payment expired. All judicial and extrajudicial costs shall be borne by the defaulting Buyer, which costs shall be estimated either at 15% of the Purchase Price plus auction costs or at a minimum of € 250 (two hundred and fifty Euro), without prejudice to the right to recover any costs actually incurred.
9.2 In the event that the Buyer exceeds the term for payment as a consequence of which Buyer is in default by operation of law, Oriental Art Auctions is authorized to give written notice of the setting aside of the Purchase agreement.

10. COLLECTION

10.1 The Buyer is obliged to take delivery of and to remove the items purchased or to make arrangements for the above within the period indicated by Oriental Art Auctions. Except for the right of Oriental Art Auctions to indicate a shorter or longer term, items must be collected within five working days from the date of the last auction sale.
10.2 Failure on the part of the Buyer to take delivery of the property purchased and to collect or arrange collection thereof within the stipulated time period, means that the Buyer is by operation of law in default and the provisions set out in Clause 9 shall apply mutatis mutandi. Oriental Art Auctions is also entitled at the risk and expense of the Buyer to place the property purchased in storage, as a consequence of which all transport costs and any risk inherent therein is likewise for the account of the Buyer.

11. UNSOLD LOTS

11.1 In the event that a Lot remains unsold at auction, Oriental Art Auctions is authorized but not obliged to reoffer the Lot for sale during a period of ten days following the auction, unless otherwise agreed to by the Consignor.
11.2 Oriental Art Auctions shall hold any such post-auction sale ("after sale") only if the sale can be effected at a price equivalent at least to the amount of the net proceeds of sale to which the Seller would have been entitled if the Lot had been sold for the reserve set at auction, unless other arrangements have been agreed to by the Seller.
11.3 Any purchase by a Buyer within the meaning of the present Clause shall incorporate these Conditions of Sale as if sold in the auction and shall be equally binding.

12. LIABILITY OF ORIENTAL ART AUCTIONS

12.1 Oriental Art Auctions accept no liability for any damage to frames of paintings or other works of art nor to any parts thereof such as glass coverings, passe-partouts etc., except in case of damage caused wilfully or by gross negligence on the part of Oriental Art Auctions and/or its employees or representatives.
12.2 In no event shall Oriental Art Auctions be liable for any damage/ loss caused by interruption to business, consequential damage/ loss, damage/ loss of property and/or indirect damage/ loss.
12.3 Oriental Art Auctions cannot be held liable for any accident or any form of personal injury suffered on or in the vicinity of the premises or surrounding areas in use for consignment, storing or viewing, for holding auctions or in use for picking up the goods sold, except in case of damage caused wilfully or by gross negligence on the part of Oriental Art Auctions and/or its employees or representatives and/or except insofar as such accident/personal injury is covered by the insurance of Oriental Art Auctions.
12.4 Entering the premises or surrounding areas is entirely at your own risk.

13. PHOTOGRAPHS AND ILLUSTRATIONS

13.1 Oriental Art Auctions is authorized to make photographs, illustrations, or any other visual representations of all the items offered for sale and to use the above in any way whatsoever, prior to, during or following the auction sale, and shall observe any statutory regulations applicable. Oriental Art Auctions shall retain the copyright in all such visual representations for use at its discretion.

14. MISCELLANEOUS

14.1 Nullification, annulment or the nonbindingness of one the provisions set out in the present General Conditions of Sale shall not affect the validity of the remaining provisions. In the event that one or more provisions is null and void, annulled or nonbinding, Buyer and Specialist and /or Oriental Art Auctions shall agree one or more provisions to replace the above which are valid and which correspond as far as possible in content and purport to the provisions that are null and void, annulled or nonbinding.
14.2 The present Conditions of Sale are governed exclusively by the Laws of the Netherlands.
14.3 All disputes pertaining to, arising from or in connection with any Purchase agreement concluded between Oriental Art Auctions and the Buyer, the formation of a Purchase agreement, or the present Conditions of Sale, shall be submitted to the exclusive jurisdiction of the competent court in Zwolle, except for the right of Oriental Art Auctions to choose to have the dispute adjudicated by the court that has jurisdiction by law.

 

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