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Early 18th century Dutch school."Still life of flowers".Oil on canvas.Measurements: 68 x 52 cm; 87 x
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Beschreibung
Early 18th century Dutch school.
"Still life of flowers".
Oil on canvas.
Measurements: 68 x 52 cm; 87 x 70 cm (frame).
On a background with baroque draperies there is a gilded bronze vase that contains a bouquet of varied flowers, of different colours, accompanied by some stems. Due to its stylistic characteristics, it is possible to observe the artist's taste for capturing naturalism, describing in detail the details of the elements that make up the ensemble with a great interest in capturing the qualities of each of them. The flowers appear full, almost on the point of wilting, in contrast to the Rococo period, in which he preferred to show the flowers half-opened, without that fullness already achieved. The vase is in the centre of the painting, with the usual diagonals of Baroque compositions drawn by the flowers and their stems. The lighting aspect, on the other hand, is key in this work, and reveals the direct influence of the Tenebrist Baroque, which reached these still-life painters of the time.
A still life or still life usually depicts inanimate objects, and this pictorial genre can be found in Ancient Egypt and in Greece and Rome. They would make a strong comeback in the Renaissance, thanks, above all, to Northern European painting and its use of oil paint. This technique allowed a much more realistic painting. In these early times, still lifes had a strong religious symbolic content, expressed by the objects they depicted. From the 15th century, with Leonardo da Vinci, Albrecht Dürer, etc., this Christian meaning began to be abandoned, and from the 16th century, interest in still life painting increased until it became a genre in its own right.
"Still life of flowers".
Oil on canvas.
Measurements: 68 x 52 cm; 87 x 70 cm (frame).
On a background with baroque draperies there is a gilded bronze vase that contains a bouquet of varied flowers, of different colours, accompanied by some stems. Due to its stylistic characteristics, it is possible to observe the artist's taste for capturing naturalism, describing in detail the details of the elements that make up the ensemble with a great interest in capturing the qualities of each of them. The flowers appear full, almost on the point of wilting, in contrast to the Rococo period, in which he preferred to show the flowers half-opened, without that fullness already achieved. The vase is in the centre of the painting, with the usual diagonals of Baroque compositions drawn by the flowers and their stems. The lighting aspect, on the other hand, is key in this work, and reveals the direct influence of the Tenebrist Baroque, which reached these still-life painters of the time.
A still life or still life usually depicts inanimate objects, and this pictorial genre can be found in Ancient Egypt and in Greece and Rome. They would make a strong comeback in the Renaissance, thanks, above all, to Northern European painting and its use of oil paint. This technique allowed a much more realistic painting. In these early times, still lifes had a strong religious symbolic content, expressed by the objects they depicted. From the 15th century, with Leonardo da Vinci, Albrecht Dürer, etc., this Christian meaning began to be abandoned, and from the 16th century, interest in still life painting increased until it became a genre in its own right.
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Early 18th century Dutch school.
"Still life of flowers".
Oil on canvas.
Measurements: 68 x 52 cm; 87 x 70 cm (frame).
On a background with baroque draperies there is a gilded bronze vase that contains a bouquet of varied flowers, of different colours, accompanied by some stems. Due to its stylistic characteristics, it is possible to observe the artist's taste for capturing naturalism, describing in detail the details of the elements that make up the ensemble with a great interest in capturing the qualities of each of them. The flowers appear full, almost on the point of wilting, in contrast to the Rococo period, in which he preferred to show the flowers half-opened, without that fullness already achieved. The vase is in the centre of the painting, with the usual diagonals of Baroque compositions drawn by the flowers and their stems. The lighting aspect, on the other hand, is key in this work, and reveals the direct influence of the Tenebrist Baroque, which reached these still-life painters of the time.
A still life or still life usually depicts inanimate objects, and this pictorial genre can be found in Ancient Egypt and in Greece and Rome. They would make a strong comeback in the Renaissance, thanks, above all, to Northern European painting and its use of oil paint. This technique allowed a much more realistic painting. In these early times, still lifes had a strong religious symbolic content, expressed by the objects they depicted. From the 15th century, with Leonardo da Vinci, Albrecht Dürer, etc., this Christian meaning began to be abandoned, and from the 16th century, interest in still life painting increased until it became a genre in its own right.
"Still life of flowers".
Oil on canvas.
Measurements: 68 x 52 cm; 87 x 70 cm (frame).
On a background with baroque draperies there is a gilded bronze vase that contains a bouquet of varied flowers, of different colours, accompanied by some stems. Due to its stylistic characteristics, it is possible to observe the artist's taste for capturing naturalism, describing in detail the details of the elements that make up the ensemble with a great interest in capturing the qualities of each of them. The flowers appear full, almost on the point of wilting, in contrast to the Rococo period, in which he preferred to show the flowers half-opened, without that fullness already achieved. The vase is in the centre of the painting, with the usual diagonals of Baroque compositions drawn by the flowers and their stems. The lighting aspect, on the other hand, is key in this work, and reveals the direct influence of the Tenebrist Baroque, which reached these still-life painters of the time.
A still life or still life usually depicts inanimate objects, and this pictorial genre can be found in Ancient Egypt and in Greece and Rome. They would make a strong comeback in the Renaissance, thanks, above all, to Northern European painting and its use of oil paint. This technique allowed a much more realistic painting. In these early times, still lifes had a strong religious symbolic content, expressed by the objects they depicted. From the 15th century, with Leonardo da Vinci, Albrecht Dürer, etc., this Christian meaning began to be abandoned, and from the 16th century, interest in still life painting increased until it became a genre in its own right.
9th March - Old Masters
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Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
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