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Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x

In 9th March - Old Masters

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Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 1 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 2 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 3 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 4 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 5 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 6 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 7 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 1 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 2 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 3 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 4 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 5 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 6 aus 7
Workshop of CARLO DOLCI (Florence, 1616 - 1686)."Christ" and "Dolorosa".Oil on copper.Size: 23.5 x - Bild 7 aus 7
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Workshop of CARLO DOLCI (Florence, 1616 - 1686).
"Christ" and "Dolorosa".
Oil on copper.
Size: 23.5 x 18.5 cm (x2); 33.5 x 28 cm (mask, x2).
The representation of the invocation of the Dolorosa, added to the figure of Christ carrying the attributes of Calvary, such as the crown of thorns and in this particular case the cross, was an iconographic pattern that developed widely among collectors. This demand led to the conception of the two scenes as an even element, each figure represented in a different work, with the intention of satisfying the devotional demand either in a private or public setting. In this case the two images are notable for the pathos of their gestures, a common feature in Carlo Dolci's painting.
Due to the formal and stylistic characteristics of the works, they can be related to the workshop of the Florentine painter Carlo Dolci, who, according to critics, was the most outstanding Baroque painter in Florence in the 17th century. In addition to paintings intended to decorate church altars, Dolci popularised compositions with half-length images of the Virgin, Mary Magdalene, saints and other sacred figures, with a polished and detailed technique, which were well received by the late Baroque clientele. Among his earliest works signed as an independent artist were portraits, a genre in which the artist worked throughout his career and for which he was particularly renowned. He forged his style by copying the works of the great masters of the 15th and 16th century, including Fra Angelico, Ghirlandaio, Michelangelo and Correggio. He was also in contact with the Medici collection, which greatly influenced his work by Dutch painters of his day such as Willem van der Aelst. Throughout his career and after his death he had numerous pupils including Agnese Dolci, his daughter, who continued the family tradition and made numerous copies of his work.
Workshop of CARLO DOLCI (Florence, 1616 - 1686).
"Christ" and "Dolorosa".
Oil on copper.
Size: 23.5 x 18.5 cm (x2); 33.5 x 28 cm (mask, x2).
The representation of the invocation of the Dolorosa, added to the figure of Christ carrying the attributes of Calvary, such as the crown of thorns and in this particular case the cross, was an iconographic pattern that developed widely among collectors. This demand led to the conception of the two scenes as an even element, each figure represented in a different work, with the intention of satisfying the devotional demand either in a private or public setting. In this case the two images are notable for the pathos of their gestures, a common feature in Carlo Dolci's painting.
Due to the formal and stylistic characteristics of the works, they can be related to the workshop of the Florentine painter Carlo Dolci, who, according to critics, was the most outstanding Baroque painter in Florence in the 17th century. In addition to paintings intended to decorate church altars, Dolci popularised compositions with half-length images of the Virgin, Mary Magdalene, saints and other sacred figures, with a polished and detailed technique, which were well received by the late Baroque clientele. Among his earliest works signed as an independent artist were portraits, a genre in which the artist worked throughout his career and for which he was particularly renowned. He forged his style by copying the works of the great masters of the 15th and 16th century, including Fra Angelico, Ghirlandaio, Michelangelo and Correggio. He was also in contact with the Medici collection, which greatly influenced his work by Dutch painters of his day such as Willem van der Aelst. Throughout his career and after his death he had numerous pupils including Agnese Dolci, his daughter, who continued the family tradition and made numerous copies of his work.

9th March - Old Masters

Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain

Generelle Versandinformationen vom Auktionshaus verfügbar

Setdart offers Worldwide shipping 

PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.


YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com

 

Wichtige Informationen

22% buyer´s premium

18% buyer´s premium at www.setdart.com 

AGB

The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).

BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium

If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html 


INQUIRIES: admin@setdart.com

Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.

 

WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING


PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.


YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com


SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail. 

INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.

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EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó

 

 

 

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