78
Viceroyalty School; Peru, 17th century."Christ as Good Shepherd".Oil on panel.It has the original
1/3
Beschreibung
Viceroyalty School; Peru, 17th century.
"Christ as Good Shepherd".
Oil on panel.
It has the original panel with the frame inserted in the panel itself.
Measurements: 30,5 x 23 cm.
Scene of Viceroyal period that stands out for the expressiveness of the chromatic range, as well as of the composition. In the centre of the scene the figure of Christ dressed in a costume common in the religious figures of colonial painting, as can be seen in other examples of devotional art such as the representation of the Arcabuceros Angels. The scene as a whole is crowned by the presence of numerous figures arranged in horizontal levels forming independent groups. In terms of meaning, the Good Shepherd is a biblical allegory, originally referring to Yahweh and later to Jesus Christ. The good shepherd is interpreted as God, who saves the lost sheep (the sinner). The theme appears in the Old Testament, and in the Gospels the same allegory is applied to Jesus as the Son of God. In art, the theme is the most widely represented in early Christian iconography, and evidence can be found from the 2nd century onwards. From the 4th century onwards, its representation declined until it disappeared completely in the Middle Ages, but it finally recovered between the 15th and 16th centuries. After the appearance of the Divina Pastora in the 17th century, the theme was again relegated to the background in the 19th century.
It is worth noting that during Spanish colonial rule, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
"Christ as Good Shepherd".
Oil on panel.
It has the original panel with the frame inserted in the panel itself.
Measurements: 30,5 x 23 cm.
Scene of Viceroyal period that stands out for the expressiveness of the chromatic range, as well as of the composition. In the centre of the scene the figure of Christ dressed in a costume common in the religious figures of colonial painting, as can be seen in other examples of devotional art such as the representation of the Arcabuceros Angels. The scene as a whole is crowned by the presence of numerous figures arranged in horizontal levels forming independent groups. In terms of meaning, the Good Shepherd is a biblical allegory, originally referring to Yahweh and later to Jesus Christ. The good shepherd is interpreted as God, who saves the lost sheep (the sinner). The theme appears in the Old Testament, and in the Gospels the same allegory is applied to Jesus as the Son of God. In art, the theme is the most widely represented in early Christian iconography, and evidence can be found from the 2nd century onwards. From the 4th century onwards, its representation declined until it disappeared completely in the Middle Ages, but it finally recovered between the 15th and 16th centuries. After the appearance of the Divina Pastora in the 17th century, the theme was again relegated to the background in the 19th century.
It is worth noting that during Spanish colonial rule, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
Auktionsdetails
Versand
AGB & Wichtige Informationen
Stellen Sie dem Verkäufer eine Frage
Viceroyalty School; Peru, 17th century.
"Christ as Good Shepherd".
Oil on panel.
It has the original panel with the frame inserted in the panel itself.
Measurements: 30,5 x 23 cm.
Scene of Viceroyal period that stands out for the expressiveness of the chromatic range, as well as of the composition. In the centre of the scene the figure of Christ dressed in a costume common in the religious figures of colonial painting, as can be seen in other examples of devotional art such as the representation of the Arcabuceros Angels. The scene as a whole is crowned by the presence of numerous figures arranged in horizontal levels forming independent groups. In terms of meaning, the Good Shepherd is a biblical allegory, originally referring to Yahweh and later to Jesus Christ. The good shepherd is interpreted as God, who saves the lost sheep (the sinner). The theme appears in the Old Testament, and in the Gospels the same allegory is applied to Jesus as the Son of God. In art, the theme is the most widely represented in early Christian iconography, and evidence can be found from the 2nd century onwards. From the 4th century onwards, its representation declined until it disappeared completely in the Middle Ages, but it finally recovered between the 15th and 16th centuries. After the appearance of the Divina Pastora in the 17th century, the theme was again relegated to the background in the 19th century.
It is worth noting that during Spanish colonial rule, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
"Christ as Good Shepherd".
Oil on panel.
It has the original panel with the frame inserted in the panel itself.
Measurements: 30,5 x 23 cm.
Scene of Viceroyal period that stands out for the expressiveness of the chromatic range, as well as of the composition. In the centre of the scene the figure of Christ dressed in a costume common in the religious figures of colonial painting, as can be seen in other examples of devotional art such as the representation of the Arcabuceros Angels. The scene as a whole is crowned by the presence of numerous figures arranged in horizontal levels forming independent groups. In terms of meaning, the Good Shepherd is a biblical allegory, originally referring to Yahweh and later to Jesus Christ. The good shepherd is interpreted as God, who saves the lost sheep (the sinner). The theme appears in the Old Testament, and in the Gospels the same allegory is applied to Jesus as the Son of God. In art, the theme is the most widely represented in early Christian iconography, and evidence can be found from the 2nd century onwards. From the 4th century onwards, its representation declined until it disappeared completely in the Middle Ages, but it finally recovered between the 15th and 16th centuries. After the appearance of the Divina Pastora in the 17th century, the theme was again relegated to the background in the 19th century.
It is worth noting that during Spanish colonial rule, a mainly religious painting was developed, aimed at Christianising the indigenous peoples. Local painters were modelled on Spanish works, which they followed literally in terms of type and iconography. The most frequent models were harquebusier angels and triangular virgins; however, in the early years of the 19th century, at the time of independence and political openness in some of the colonies, several artists began to depict a new model of painting with its own identity.
10th March - Old Masters from America and Europe
Auktionsdatum
Ort der Versteigerung
Aragón 346, Barcelona
Calle Velázquez 7, Madrid
Carrer de Cirilo Amorós 55, Valencia
Barcelona
08009
Spain
Generelle Versandinformationen vom Auktionshaus verfügbar
Setdart offers Worldwide shipping
PICK UP IN ROOM: You can come and pick up your lots in our offices (Barcelona, Madrid or Valencia). At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART- LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
Wichtige Informationen
22% buyer´s premium
18% buyer´s premium at www.setdart.com
AGB
The maximum period to pay the lots is 7 working days. You can pay either via bank transfer or with credit card through our platform www.setdart.com (we only accept VISA or Mastercard).
BUYER´S PREMIUM: 22% Hammer price + 21% VAT from the buyer´s premium
If your piece has more than 100 years, our Ministry of Culture requires an export certificate in order for the piece to leave the country. Note that if the piece goes inside the EU, there is no cost for the export certificate. If the piece goes outside the EU, there is a cost for the export certificate. You can find more information in our Ministry of Culture website: https://www.culturaydeporte.gob.es/en/cultura/patrimonio/exportacionimportacion/exportacion/tasas.html
INQUIRIES: admin@setdart.com
Setdart guides you through the entire process, from the time of award to the day you receive your lot. Our logistics team will be happy to manage your transport, and will advise you on the best shipping method with professionals from the sector used to handling works of art and jewelry.
WE OFFER WORLDWIDE DOOR TO DOOR SHIPPING
PICK UP IN ROOM: You can come and pick up your lots in our offices. At the moment of the withdrawal, you will be able to accept the current conditions of the lot by means of a document that you will sign.
YOU CAN SEND ANOTHER PERSON TO PICK UP: This person must present a signed authorization that you can find in our web page by accessing from BUY AT SETDART-LOGISTICS-DOWNLOAD AUTHORIZATION DOCUMENT. You can also send an e-mail with the requested data in AUTHORIZATION DOCUMENT to admin@setdart.com
SETDART IS NOT RESPONSIBLE FOR THE STATE OF THE PARTS ONCE THEY LEAVE OUR FACILITIES. MRW SHIPMENTS: Once the payment is made, your lot will be packed for shipment, the logistics department will send you an e-mail notifying you of the day it leaves our warehouse, changes of address cannot be made after receiving this e-mail.
INSURANCE INCIDENTS: Coverage for the value of the auction up to 3000 ? per shipment, if the value of the auction is higher, Setdart will send you a quote including the additional insurance. The insurance company WILL NOT BE RESPONSIBLE FOR THE SHIPMENT THAT EXCEEDS THAT AMOUNT AND IS NOT FULLY INSURED. MRW INCIDENTS: Maximum notification 48 hours after receipt, after which the insurance company WILL NOT BE RESPONSIBLE AND NO CLAIMS WILL BE ACCEPTED.
E-MAIL LOGISTICS: logistica@setdart.com
PICK UP YOUR MESSAGES: You can send your own messaging, prior notice via e-mail that your shipment is ready, please note 3 or 4 days in advance. This type of shipment is packaged so Setdart will provide you with a quote.
EXPENSES FOR STORAGE: We inform you that if the purchased lot is not picked up within a month, you will be charged 30€ per week per lot. Setdart Online S.L., owner of the web site "setdart.com", "setdart.net" and "setdart.org", acts as a company of Spanish nationality inscribed in the Volume 36955, sheet 182, page B-293056 of the Mercantile Registry, with registered office at Calle Aragó
