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Klimsch (Frankfurt/M. 1870 - Saig 1960) A bronze sculpture 'Schauende' The cast probably 1994.

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Klimsch  (Frankfurt/M. 1870 - Saig 1960)  A bronze sculpture 'Schauende'  The cast probably 1994. - Bild 1 aus 2
Klimsch  (Frankfurt/M. 1870 - Saig 1960)  A bronze sculpture 'Schauende'  The cast probably 1994. - Bild 2 aus 2
Klimsch  (Frankfurt/M. 1870 - Saig 1960)  A bronze sculpture 'Schauende'  The cast probably 1994. - Bild 1 aus 2
Klimsch  (Frankfurt/M. 1870 - Saig 1960)  A bronze sculpture 'Schauende'  The cast probably 1994. - Bild 2 aus 2
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Hamburg
Klimsch
(Frankfurt/M. 1870 - Saig 1960)
A bronze sculpture 'Schauende'
The cast probably 1994. Bronze, polished, the bottom closed with a plate, h. 32 cm, on the bottom side marked 'Klimsch', the cast probably by Ernst Strassacker, Süssen. - 1994 the son of Fritz Klimsch, Reinhold Klimsch, ordered a special cast of this sculpture by the foundry Strassacker (order confirmation and foto exist). After the oral confirmation by client's wife the sculpture isn't any longer family-owned. With high probability the existing sculpture is the special production of 1994. - Originally Klimsch created in 1932 by order of Carl Duisburg, the general manager of the Bayer-Werke, a larger-than-life bronze-sculpture 'Schauende' for the public pool in Leverkusen. For her face he idealized the face of the young girl Dorothea Anger. According to Strassacker in 1949 the first examples of the 'Schauende' at a smaller size were cast. In contrast to the 'Kleine Schauende' from 1936 the 'see-through' under the chin is open. - Comp.: Braun, Catalogue of works: only 'Schauende' 161(larger-than-life bronze) and 'Kleine Schauende' 180. 1 - Fritz Klimsch is recognised as one of the most marked sculpturers of the 20th cent. in Germany. 1886-94 he visited the Berlin Academy and was a student of Fritz Schaper. 1898 he became co-founder and member of the managing board of the Berlin secession. 1921 he received a professorship at the Hochschule für Bildende Künste in Charlottenburg. 1945, after a stopover in Salzburg, Klimsch settled down in Saig near Freiburg. His stays in Italy and Greece had a formative influence on him artistically. His extensive oeuvre contains monuments, portraits and single sculptures. The main topic of his work is the ideal female body shape, for example the sculptures 'Kauernde' (1913), 'Badende' (1918) or 'Versonnene' (1923). Comp.: Vollmer, Braun, H.: Fritz Klimsch. Eine Dokumentation, Köln, 1991.

Reserve price: 7000 EUR

Fritz Klimsch
(Frankfurt/M. 1870 - Saig 1960)
Bronze-Skulptur 'Schauende'
Guss wohl von 1994. Bronze, poliert, Boden verschlossen, H. 32 cm, auf dem Boden bez. 'Klimsch'. Guss vermutlich Ernst Strassacker, Süssen. - 1994 gab der Sohn von Fritz Klimsch, Reinhold Klimsch, eine Sonderanfertigung dieser Skulptur bei der Gießerei Strassacker in Auftrag (Auftragsbestätigung und Foto liegen vor). Nach mündlicher Bestätigung der Ehefrau des Auftraggebers befindet sich die Skulptur nicht mehr im Besitz der Familie. Es handelt sich somit höchstwahrscheinlich bei der vorliegenden Skulptur um diese Einzelanfertigung von 1994. - Ursprünglich wurde die Skulptur 1932 von Klimsch im Auftrag von Carl Duisburg, Generaldirektor der Bayer-Werke und bedeutender Mäzen für Kunst und Wissenschaft, für das neue Freibad in Leverkusen als überlebensgroße Bronze-Skulptur geschaffen. Für ihr Antlitz idealisierte er das Gesicht des Mädchens Dorothea Anger, das er später auch im Porträt festhielt. Nach Auskunft der Gießerei Strassacker entstanden 1949 erste Ausformungen der 'Schauenden' in kleinerer Größe, bei der im Gegensatz zur 'Kleinen Schauenden' von 1936 der Durchblick unter dem Kinn geöffnet ist. - Vgl. WVZ Braun.: hier nur 'Schauende' 161(überlebensgroße Bronze) und 'Kleine Schauende' 180. - Fritz Klimsch zählt zu den herausragendsten Bildhauern des 20. Jahrhunderts in Deutschland. Er besuchte 1886-94 die Berliner Akademie und war Schüler von Fritz Schaper. 1898 wurde er Mitbegründer und Vorstandsmitglied der Berliner Sezession und erhielt 1921 eine Professur an der Hochschule für Bildende Künste in Charlottenburg. Nach 1945 ließ sich K. nach einem Zwischenaufenthalt in Salzburg in Saig bei Freiburg nieder. Künstlerisch geprägt wurde K. durch Studienreisen nach Italien und Griechenland. Sein umfangreiches Oeuvre umfasst Denkmäler, Porträts und Einzelfiguren. Klimsch machte vor allem die nackte weibliche Idealfigur zum Hauptthema
Klimsch
(Frankfurt/M. 1870 - Saig 1960)
A bronze sculpture 'Schauende'
The cast probably 1994. Bronze, polished, the bottom closed with a plate, h. 32 cm, on the bottom side marked 'Klimsch', the cast probably by Ernst Strassacker, Süssen. - 1994 the son of Fritz Klimsch, Reinhold Klimsch, ordered a special cast of this sculpture by the foundry Strassacker (order confirmation and foto exist). After the oral confirmation by client's wife the sculpture isn't any longer family-owned. With high probability the existing sculpture is the special production of 1994. - Originally Klimsch created in 1932 by order of Carl Duisburg, the general manager of the Bayer-Werke, a larger-than-life bronze-sculpture 'Schauende' for the public pool in Leverkusen. For her face he idealized the face of the young girl Dorothea Anger. According to Strassacker in 1949 the first examples of the 'Schauende' at a smaller size were cast. In contrast to the 'Kleine Schauende' from 1936 the 'see-through' under the chin is open. - Comp.: Braun, Catalogue of works: only 'Schauende' 161(larger-than-life bronze) and 'Kleine Schauende' 180. 1 - Fritz Klimsch is recognised as one of the most marked sculpturers of the 20th cent. in Germany. 1886-94 he visited the Berlin Academy and was a student of Fritz Schaper. 1898 he became co-founder and member of the managing board of the Berlin secession. 1921 he received a professorship at the Hochschule für Bildende Künste in Charlottenburg. 1945, after a stopover in Salzburg, Klimsch settled down in Saig near Freiburg. His stays in Italy and Greece had a formative influence on him artistically. His extensive oeuvre contains monuments, portraits and single sculptures. The main topic of his work is the ideal female body shape, for example the sculptures 'Kauernde' (1913), 'Badende' (1918) or 'Versonnene' (1923). Comp.: Vollmer, Braun, H.: Fritz Klimsch. Eine Dokumentation, Köln, 1991.

Reserve price: 7000 EUR

Fritz Klimsch
(Frankfurt/M. 1870 - Saig 1960)
Bronze-Skulptur 'Schauende'
Guss wohl von 1994. Bronze, poliert, Boden verschlossen, H. 32 cm, auf dem Boden bez. 'Klimsch'. Guss vermutlich Ernst Strassacker, Süssen. - 1994 gab der Sohn von Fritz Klimsch, Reinhold Klimsch, eine Sonderanfertigung dieser Skulptur bei der Gießerei Strassacker in Auftrag (Auftragsbestätigung und Foto liegen vor). Nach mündlicher Bestätigung der Ehefrau des Auftraggebers befindet sich die Skulptur nicht mehr im Besitz der Familie. Es handelt sich somit höchstwahrscheinlich bei der vorliegenden Skulptur um diese Einzelanfertigung von 1994. - Ursprünglich wurde die Skulptur 1932 von Klimsch im Auftrag von Carl Duisburg, Generaldirektor der Bayer-Werke und bedeutender Mäzen für Kunst und Wissenschaft, für das neue Freibad in Leverkusen als überlebensgroße Bronze-Skulptur geschaffen. Für ihr Antlitz idealisierte er das Gesicht des Mädchens Dorothea Anger, das er später auch im Porträt festhielt. Nach Auskunft der Gießerei Strassacker entstanden 1949 erste Ausformungen der 'Schauenden' in kleinerer Größe, bei der im Gegensatz zur 'Kleinen Schauenden' von 1936 der Durchblick unter dem Kinn geöffnet ist. - Vgl. WVZ Braun.: hier nur 'Schauende' 161(überlebensgroße Bronze) und 'Kleine Schauende' 180. - Fritz Klimsch zählt zu den herausragendsten Bildhauern des 20. Jahrhunderts in Deutschland. Er besuchte 1886-94 die Berliner Akademie und war Schüler von Fritz Schaper. 1898 wurde er Mitbegründer und Vorstandsmitglied der Berliner Sezession und erhielt 1921 eine Professur an der Hochschule für Bildende Künste in Charlottenburg. Nach 1945 ließ sich K. nach einem Zwischenaufenthalt in Salzburg in Saig bei Freiburg nieder. Künstlerisch geprägt wurde K. durch Studienreisen nach Italien und Griechenland. Sein umfangreiches Oeuvre umfasst Denkmäler, Porträts und Einzelfiguren. Klimsch machte vor allem die nackte weibliche Idealfigur zum Hauptthema

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