STANDING BOY WITH CASH COINS. Origin: China. Dynasty: Ming-/Qing dynasty. Technique: Grey green Hetian jade with iron brown inclusions on the back...

STANDING OFFICIAL AS PENDANT. Origin: China. Date: In the style of the Han dynasty, but later. Technique: Celadon green Hetian jade with brown res...

AMULETT AS PENDENT WITH HERONS AND INSCRIPTION. Origin: China. Technique: Nearly white, even Hetian jade, carved in fine relief and polished. Desc...

DOUBLE VAJRA. Origin: China. Technique: Even celadon green Hetian jade from a light tone, finely carved in openwork and polished. Description: Eac...

HAND MIRROR WITH JADE HANDLE AND LUCKY SIGNS. Origin: China. Date: 19th-20th c. Jade older. Technique: Silver and jade. Description: Handle made f...

PENDANT WITH SCHOLARS, CRANE AND QILIN. Origin: China. Dynasty: Qing dynasty. Date: 19th c. Technique: Rhinoceros horn, carved and polished. Hangi...

FINELY CARVED TORTOISE SHELL FRAGRANCE BOX WITH GENRE SCENES IN FRONT OF A CITY. Origin: China. Dynasty: Qing dynasty. Date: 18th-19th c. Techniqu...

SQUARE LIDDED BOX WITH LOTUS AND FLOWER SCROLLS. Origin: China. Dynasty: Qing dynasty. Date: 19th c. Technique: Black lacquer painted in dark red ...

LARGE BITONG FOR BRUSHES. Origin: China. Technique: Hardwood. Inset peg later. Description: Cylindrical with slightly indrawn waist and rounded ri...

Title: Brush pot and document box with tray. Origin: China. Dynasty: Late Qing dynasty. Description: Bitiong from wood, carved. H.24.8cm. Box lacq...

SEWING BOX WITH SUPPLEMENTARY TRAY AND TOOLS. Origin: China. Canton. Dynasty: Qing dynasty. Date: 19th c. Technique: Ivory, finely carved in partl...

LIDDED BOX WITH MASKS. Origin: Japan. Dynasty: Meiji period (1868-1912). Technique: Ivory. Description: Underneath and inside more masks, also at ...

LONG DRAGON STAFF. Origin: China. Date: Ca. 1900. Technique: Boxwood, carved in deep and openwork relief. Eyes inlaid with mother-of-pearl. Descri...

TWO-PART DISPLAY CABINET. Origin: China. Dynasty: Qing dynasty. Date: Ca. 1880. Technique: Dark hard wood, partly openwork and carved in relief. D...

ELEGANT LUOHAN BED. Origin: China. Dynasty: Qing dynasty (1644-1911). Technique: Hard wood in the type of Huanghuali. Upper surface with woven mat...

THREE FANS WITH GENRE SCENES AND FLOWERS. Origin: France. Date: 19th-early 20th c. Description: a) Mother-of-pearl, carved in openwork and gilt. P...

VALANCE WITH IMMORTALS AND DEITIES. Origin: China. Date: Ca. 1900. Technique: Red satin silk, embroidered with dyed silk in partly padded satin st...

LIGHT RED CARPET WITH NINE BLUE DRAGONS. Origin: China. Date: 20th c. Technique: Pile from wool. Description: On a light red background a dragon m...

Title: Pair of embroideries with bird pairs. Origin: China. Dynasty: Qing dynasty. Date: 19th c. Measurement: Each 101x33cm. Frame/Pedestal: Frame...

FENG, CHAORAN1882 Changzhou, Jiangsu - 1954In the style ofMOUNTAIN LANDSCAPE WITH WATER FALL. Origin: China. Date: Cyclically dated 1920. Maker/De...

IMPORTANT PILLAR CARPET WITH FEMALE NAGINI. Origin: China. Gansu. Dynasty: Qing dynasty. Date: Mid 19th c. Technique: Wool for the pile, cotton fo...

PILLAR CARPET WITH LAMA AND THE EIGHT BUDDHIST TREASURES. Origin: China. Gansu. Dynasty: Qing dynasty. Date: Mid 19th c. Technique: Pile wool, war...

PILLAR CARPET WITH LAMA WITH SHELL TRUMPET. Origin: China. Gansu. Dynasty: Qing dynasty. Date: Mid 19th c. Technique: Pile from wool, warp and wef...

IMPORTANT PILLAR CARPET WITH MAUDGALYAYANA. Origin: China. Gansu. Dynasty: Qing dynasty. Date: Mid 19th c. Technique: Pile from wool, warp and wef...

CHINESE MINIATURES FROM THE LIFE OF A CHINESE LADY. Origin: Austria. Vienna. Date: 1924. Maker/Designer: Hermes printing. Payer-Thurn, R. (ed.). T...

THREE ALBUMS OF A SHIP TRAVEL, LANDSCAPES AND PERSONS. Origin: China. Date: Ca. 1900. One album dated 1901. Technique: Three Japanese albums with ...

PHOTO ALBUM ABOUT THE NAVY AND THE LIFE IN THE GERMAN PROTECTORATE. Origin: China. Date: Ca. 1900. Technique: Green album with 169 original photos...

ALBUM WITH PHOTOS OF THE PARADE AT THE IMPERIAL BIRTHDAY. Origin: China. Date: Dated 1917, January 29th. Technique: Notebook (25.5 x 19.5cm) with ...

THANGKA OF THE FIGHTING BUDDHA KING RUDRACAKRIN. Origin: Ladakh/Tibet. Date: 18th/19th c. Technique: Pigments and gold on fabric. Description: The...

THANGKA OF BUDDHA SHAKYAMUNI WITH THE SEVENTH DALAI LAMA. Origin: Tibet. Date: 18th c. Technique: Pigments and gold on fabric. Description: The Da...

RARE THANGKA OF PEHAR GYALPO. Origin: Mongolia. Date: 18th-19th c. Technique: Pigments and metal on fabric. Description: In the center the six-arm...

THANGKA OF BHAISAJYAGURU IN THE PALACE OF THE EASTERN PARADISE. Origin: Mongolia. Date: 18th/19th c. Technique: Pigments and gold on fabric. Descr...

FINE WATER FLASK (CHABLU) WITH ORANGE SILK BROCADE. Origin: Tibet. Date: 19th-20th c. Technique: Copper flask. Spout from silver. Square mantle fr...

CHEST WITH METAL FITTINGS WITH FLOWER TENDRILS. Origin: Tibet. Dynasty: Qing dynasty (1644-1912). Technique: Wood with stretched leather. Corners ...

THE FOUR-ARMED AND CROWNED CHENREZIG WITH FLAMING AUREOLE. Origin: Nepal. Technique: Copper bronze with dark patina. Measurement: 471g, h.12cm. Co...

TSONGKHAPA WITH TWO COMPANIONS ON SHOULDERS. Origin: Tibet. Dynasty: 19th c. Technique: Old fire gilt bronze. Left hand separately worked (fingers...

FOUR-ARMED GENESHA WITH VAHANA. Origin: Nepal. Technique: Old copper bronze with gilding. Measurement: 375g, h.9.6cm. Seal: Base underneath sealed...

LAMA WITH PANDITA HAT AND VESSEL. Origin: Bhutan. Date: 18th/19th c. Technique: Copper bronze with residue of gilding. Description: Base sealed an...

SMALL FIGURE OF THE STANDING PADMAPANI. Origin: Tibet. Technique: Old fire gilt copper bronze. Measurement: 279g. H.13.1cm. Condition A/B. Provena...

TWO WORLD PROTECTORS: VIRUDHAKA AND VIRUPAKSHA. Origin: Tibet/Nepal. Technique: Rare silvered bronze with polychrome painting. Base probl. sealed ...

SMALL FIGURE OF ACHALA WITH THE SWORD OF WISDOM. Origin: Tibet. Date: 19th c. Technique: Old fire gilt copper bronze with residue of pigments. Mea...

SMALL FIGURE OF SAMANTABHADRA IN YABYUM. Origin: Tibet/Nepal. Technique: Old bronze with fire gilding. Base from rock crystal. Measurement: 125g. ...

RARE DEPICTION OF THE BLACK JAMBHALA. Origin: Tibet. Date: 19th c. Technique: Fire gild bronze. Description: The raised right hand holds a jewel, ...

YELLOW JAMBHALA WITH JEWEL SPITTING MANGOOSE. Origin: Himalaya region. Technique: Fire gilt bronze. Solid casting. Measurement: 2662g, h.16.6cm. C...

CEREMONIAL DAGGER WITH DRAGONS AND BUDDHIST TREASURES. Origin: Mongolia or Tibet. Date: 19th-20th c. Technique: Steel. Elaborately decorated sheat...

DRAGON TRUMPET AND CEREMONIAL MAZE. Origin: Asia. Tibet/Mongolia/Nepal. Date: 19th-20th c. Description: Dragon trompet: Green jade, fitting from s...

Title: Ritual dagger Vajrakila Phurbu. Origin: Nepal/Tibet. Measurement: 1668g, L.45cm. Condition A/B. Explanations to the CatalogueAsian Art - Bu...

RITUAL KNIFE VAJRAKILA KATRIKA. Origin: Nepal/Tibet. Technique: Bronze with dark patina and partly with copper. Measurement: 1568g. L.29cm. Condit...

IMPORTANT AND FINE DEPICTION OF THE PRAJNAPARAMITA. Origin: Khmer. Dynasty: Angkor period (800-1431). Date: 10th c. Technique: Bronze with green p...

SMALL TRIAD VOTIVE FIGURE OF SHIVA AND A PAIR OF PALANQUIN HOOKS WITH GARUDA. Origin: Khmer. Dynasty: Angkor Wat period (1100-1175) or later. Tech...

TERRACOTTA HEAD WITH HAIR JEWELS AND EAR FLOWER DECORATION. Origin: India. Date: Prob. Gupta period (5th-7th c.). Technique: Dark ferrous ceramic....

TIRTANKHARA SHRINE. Origin: India. Jain. Date: 15th c. Technique: Gold colored bronze, inlays from silver and copper. Description: With one of the...

THIRTEEN SMALL CULT BRONZES. Origin: India. Hindu culture. Date: 17th-19th c. Technique: Bronze. Description: Three small shrines with Yoni-Lingam...

AQUAMANILE IN DRAGON SHAPE WITH WINGS AND ON THREE FEET. Origin: Mughal India. Date: 19th-beg. 20th c. Technique: Copper bronze with dark patina. ...

TWO KINDJAL AND ONE KERIS. Origin: Turkey. Ottoman Empire resp. Indonesia. Date: 19th resp. 19th-20th c. Technique: Steel, forged. Description: a)...

TWO FINE PAINTINGS. Origin: Indo-Persian. Date: 18th-19th c. Technique: Pigments and gold on paper. Description: a) A monarch hunting gazelles. 9....

MASK OF RAVANA WITH TEN HEADS. Origin: Indien. Date: 19th - 1st half of 20th c. Technique: Wood, carved and with pigments. Visible traces of use a...

SARIPUTTA, ONE OF THE MAIN DISCIPLES OF BUDDHA. Origin: Burma/Myanmar. Date: 19th c. Technique: Pink sandstone with remains of lacquer gilding. De...

BUDDHA MARAVIJAYA ON HIGH LOTUS BASE. Origin: Burma/Myanmar. Date: 17th c. Technique: Bronze with green patina and earth adherence. Casting core p...

FOUR SMALL BUDDHA. Origin: Thailand. Dynasty: Sukhothai and Ayutthaya style. Date: 16th-18th c. Technique: Bronze, partly gilt. Measurement: H.8.7...