A CHINESE EXPORT SILVER TANKARD Circa 1870, marked LC, Leeching of Canton, Hong Kong and Shanghai
A CHINESE EXPORT SILVER TANKARD Circa 1870, marked LC, Leeching of Canton, Hong Kong and Shanghai The body worked in relief with a continuous scen...
A CHINESE EXPORT SILVER TANKARD Circa 1870, marked LC, Leeching of Canton, Hong Kong and Shanghai The body worked in relief with a continuous scen...
A PAIR OF YELLOW-GROUND CANTON ENAMEL TIERED BOXES AND COVERS 18th/19th Century Each three-tiered box and cover decorated with dense scrolling lea...
A PINK-GROUND SILK ROBE AND A BLACK-GROUND SILK ROBE Late Qing Dynasty Comprising: a pink-ground robe embroidered with butterflies and chrysanthem...
A VERY LARGE EMBROIDERED RED-GROUND 'BIRTHDAY' PANEL Late Qing Dynasty Embroidered in silk and gold-couched thread to depict Xiwangmu, Queen Mothe...
AN EMBROIDERED SILK 'PARADISE FLYCATCHER' RANK BADGE 19th century Made for a civil official of the Ninth Rank, embroidered in multi-coloured threa...
A SILK EMBROIDERED 'HUNDRED BIRDS' PANEL-INSET HONGMU TABLE SCREEN 19th century The circular panel embroidered in silk against an ivory coloured g...
A CARVED HONGMU SCREEN AND STAND 19th century The rectangular frame carved and pierced with a floral scroll border, and set into a stand carved to...
A HONGMU CORNER-LEG TABLE, TIAOZHUO 17th/18th century The table with a rectangular top set within a wide frame above waisted plain aprons, all ra...
Missing hands and remains of xylophagi, original polychrome. Size only measurements: 73 x 23 x 18 cm, base measurements: 15 x 24 x 20 cm
A HUANGHUALI KANG TABLE 19th century The mitred top with a rectangular inset panel with beaded edge above a narrow concave waist, each side with a...
A HUANGHUALI FOLDING CHAIR, JIAOYI 20th century The wide horseshoe form crest rail supported by an elaborately carved openwork back splat, with a ...
A COLLECTION OF EARLY CERAMICS Jin Dynasty (1115-1234), Tang Dynasty (618-907) and Song to Ming Dynasty Comprising: a phosphatic-splashed brown-gl...
A GROUP OF EIGHT BLUE AND WHITE WARES Late Ming Dynasty Comprising: a Swatow 'dragon' jar with lug handles; a blue and white kendi; three blue and...
A GROUP OF SEVEN CHINESE ENAMELLED FIGURES Kangxi to 18th century Comprising: two large famille rose enamelled models of Guanyin; an egg and spina...
A GROUP OF CHINESE EXPORT TEA WARES Kangxi to Qianlong Comprising: a moulded 'prunus blossoms' teapot and cover with zoomorphic spout and handle; ...
A PAIR OF DOCUMENTARY FAMILLE ROSE 'SCHOLAR'S' VASES Signed Lao Xin, cyclically dated bingzi year corresponding to 1936 and of the period Of balus...
A POLYCHROME ENAMELLED SHAPED TRAY Signed Ren Huanzhang, cyclically dated wuyin year corresponding to 1878 and of the period Depicting a scholar a...
A PAIR OF SHIWAN-WARE GLAZED 'WARRIOR' FIGURES AND A PAIR OF FLAMBÉ GLAZED FIGURES 19th-20th century Comprising: a man and lady each similarly de...
A SHIWAN WARE FLAMBÉ GLAZED VASE AND A PAIR OF SHIWAN WARE CRANE GROUPS 19th century The vase of meiping-form with short shoulders and a short lip...
A GROUP OF THREE BLANC-DE-CHINE FIGURES OF GUANYIN 17th century and later Comprising: a blanc-de-chine standing figure of Guanyin raised on creste...
A GROUP OF BLANC-DE-CHINE WARES 17th century and later Comprising: a pair of vases, each of bulbous body rising from a high foot with raised band ...
A GROUP OF SIX CHINESE MONOCHROME GLAZED VASES 18th/19th century Comprising: a turquoise and crackled glazed bottle vase; a black-glazed vase; a f...
A CLAIR-DE-LUNE GLAZED BALUSTER VASE Qianlong seal mark and of the period The compressed globular body supported on a tall splayed and ribbed foot...
THREE CLOISONNÉ ENAMEL VESSELS 19th century Comprising: a tripod incense burner with a globular body raised on three high tapered cylindrical feet...
A SATSUMA 'BUTTERFLIES' BOWL AND A SATSUMA LANDSCAPE DISH Meiji period, 19th century The bowl decorated in polychrome enamels and gilt with dense ...
STEHENDER BUDDHA IM LOPBURI STIL. Herkunft: Zentral Thailand. Dynastie: U-Thong-Stil. Datierung: Wohl 18./19.Jh. Technik: Bronze. Glänzende schwar...
A GROUP OF ARITA WARES Edo Period, early 18th century to Meiji period Comprising: an Arita square tokkuri depicting a mountain landscape; a 'prunu...
AN IMARI FIGURE OF A BIJIN Late 17th-early 18th century The standing figure holding a blossoming cherry branch in front of her chest, the black ha...
FÜNF REISESCHREINE, SOG. GA'US. Herkunft: Tibet. Technik: Silber, Repoussé. Textilfragmente. Steinbesatz. Beschreibung: Fünf zweiteilige Amulettbe...
A KO-IMARI 'FISH' SAKE BOTTLE 18th century Of hexagonal form, short neck and everted lipped rim, each side depicting a leaping fish above cresting...
PRIESTERGLOCKE (GHANTA). Herkunft: Tibet. Technik: Bronze/ Glockenmetall. Beschreibung: Der Griff der Glocke besteht aus dem Haupt des Vairocana u...
A KO-KUTANI 'MANDARIN DUCKS' DISH Edo Period Decorated in bright enamels to the well with two Mandarin ducks on a riverbank amongst rockwork and v...
TEIL EINES BUCHDECKELS MIT FARBIGEN DARSTELLUNGEN DREIER GOTTHEITEN. Herkunft: Tibet. Datierung: Frühes 19.Jh. Technik: Holz, farbig bemalt. Besch...
A SATSUMA BOWL By Kozan, Meiji era (1868-1912), late 19th/early 20th century The high sided bowl raised on a narrow slightly splayed foot, finely ...
STAB- ODER KRONENAUFSATZ MIT SCHÄDEL UND FLAMMEN. Herkunft: Ost-Tibet. Datierung: 19./20.Jh. Technik: Feuervergoldetes Kupfer-Repoussé, Reste farb...
FRAGMENT EINER AUREOLE ODER EINES SCHMUCKBANDES MIT ACHT KÖPFEN. Herkunft: Tibet. Datierung: 18./19.Jh. Technik: Feuervergoldetes Kupfer-Repoussé....
A PAIR OF BRONZE FIGURES Japan Meiji period, signed Genryusai Seiya One figure with a monkey clambering over her back, the other carrying a kettle...
A TOKYO SCHOOL BRONZE GROUP OF A MOTHER AND CHILD Meiji period, by Yamazaki Choun The woman wearing a kimono bending over to aid her child walking...
BUDDHA SHAKYAMUNI. Herkunft: Birma. Shan-Staaten. Datierung: 19.Jh. Technik: Trockenlack, Vergoldung. Beschreibung: Der Buddha im Meditationssitz ...
A BRONZE OKIMONO OF A KESTREL Meiji period Cast in two separate sections, the detachable bird perched on a naturalistic trunk base, the eyes inlai...
GRUPPE VON SECHS SCHALEN UND ZWEI DOSEN. Herkunft: Laos. Datierung: 19.Jh. Technik: Silber-Repoussé. Ca.1045g. Beschreibung: Verschiedene Größen u...
BUDDHA SHAKYAMUNI AUF LOTOSTHRON. Herkunft: Myanmaar. Shan-Staaten. Datierung: 18.Jh. Technik: Über einer rotbraunen Lackfassung vergoldet. Beschr...
A PAIR OF INLAID BRONZE VASES Nogawa company mark, Meiji period Each of baluster form, worked in flat inlay of gold, copper and silver depicting a...
ZWEI STEINSCHALEN. Herkunft: Südostasien. Datierung: Piu-Zeit, um 500 n.Chr. Technik: Schwarzer, grünlich gefleckter Stein bzw. grauer, granitarti...
A LARGE JAPANESE BRONZE BASKET Meiji Period Cast in the form of an openwork wicker basket with three loop handles, resting upon the back of an und...
KLEINER BUDDHA-KOPF. Herkunft: Indien. Mathura-Region. Datierung: 16./17.Jh. Technik: Roter Sandstein. Beschreibung: Großer ovaler Kopf mit großen...
A SILVER FILIGREE AND SHIBAYAMA STYLE VASE AND COVER Signed Shigemasa, Meiji period Of bombé form, the silver body inlaid in various coloured enam...
KLEINER JAIN-ALTAR. Herkunft: Indien, wohl Rajhastan oder Gujarat. Datierung: Wohl 18.Jh. Technik: Kupferbronze. Maße: 20,5x12x7cm. Signatur: Rück...
PARAVATI. Herkunft: Südindien. Datierung: Wohl 18.Jh. Technik: Messingbronze. Beschreibung: In tribhanga Pose auf einem Lotos über einer quadratis...
BUDDHA SHAKYAMUNI. Herkunft: Sri Lanka. Datierung: 19./20.Jh. Technik: Schwerer Gelbguss. Beschreibung: Stehend, die rechte Hand in abhaya-mudra a...
SIX GILT BRONZE TSUBA One by Soheishi Nyudo Comprising: an oval iron plate pierced with a design of warriors engaged in battle, decorated in gold,...
SEIDENSTICKEREI MIT STILISIERTER DARSTELLUNG VON SONNENUNTERGANGSIDYLLE. Herkunft: China. Datierung: 19.Jh. Technik: Roter Seidensatin. In Plattst...
A COLLECTION OF CARVED WOOD NETSUKE 19th century, one signed Masanobu and one Joryu Comprising: a wood netsuke seated snarling tiger, the eyes inl...
FIGUR EINES SITZENDEN, LACHENDEN GLÜCKSGOTTES BUDAI. Herkunft: China. Datierung: 19./20.Jh. Technik: Eisen, vergoldet. Beschreibung: Der kahlköpfi...
VASE FAMILLE ROSE MIT PEONIENDEKOR. Herkunft: China. Datierung: 20.Jh. Technik: Porzellan. Maße: Höhe 28cm, ø 12,2cm. Marke: Bodenmarke. Voraussi...
ANONYMOUS (EDO PERIOD, 18TH CENTURY) Tagasode A two-panel folding screen, ink, colour and gold on paper with gold leaf, with silk surround and lac...
GROßE KANNON FIGUR. Herkunft: Japan. Datierung: Wohl Meiji-Zeit oder später. Technik: Patinierte Bronze, Cloisonné. Beschreibung: Die Gottheit des...