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Malling-Hansen "Writing Ball" (Reproduction)The world's first commercially produced typewriter,
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Malling-Hansen "Writing Ball" (Reproduction)
The world's first commercially produced typewriter, designed by Rasmus Malling-Hansen (1835-1890), Copenhagen, Denmark. With hemisphere of 54 spring-loaded and engraved alpha-numeric typebars supported on three brass columns with set-screw adjustment and geared mechanism, diameter of hemisphere 5 ¼ in. (13,5 cm), approx. ht. 8 ½ in. (21,5 cm), excellent general condition. - Reverend Rasmus Malling-Hansen, principal of the Royal Institute for the Deaf and Dumb, Copenhagen, designed his unique ergonomic typewriter in 1865 to help students to "speak with their fingers". "In a given time one can say five times as many sounds as can be written", he argued in his patent application of 25 January 1870. "In other words, one speaks five times as fast as one writes." Malling-Hansen positioned letters, numbers and symbols on a hemisphere to facilitate "quick writing", the vowels operated by the fingers of the left hand, the consonants by the fingers on the right. The intended result - the writing speed would be "easily two to three times as fast as normal, and practice in using the apparatus should be able to bring this speed up to speech speed." - Each of the fifty-four typebars is aligned at a different angle, yet all converge on the paper at a common point. The beauty of Malling-Hansen's design was not restricted to the layout of the typebars, but displayed all the significant refinements of writing machines introduced 40-50 years later: automatic carriage return and line spacing, a space bar, a bell to signal the end of the line, provision for carbon paper copies, a ribbon reverse and - most significant of all - visible writing by raising the typing mechanism. - The Writing Ball's most celebrated user - but not its happiest - was the German philosopher Friedrich Nietzsche. "Hurrah! The machine has arrived at my house!" wrote Nietzsche to his sister on 11 February 1882 upon the delivery of the machine he had ordered for 375 Danish krone the year before. Beset by failing eyesight, the philosopher had hoped that the new invention would allow him to write more easily. Despite his initial excitement, Nietzsche eventually gave up on the intricate machine after it was damaged during a trip to Genoa, Italy, though not before immortalizing his struggle in verse: "The writing ball is a thing like me:/Made of iron yet easily twisted on journeys/Patience and tact are required in abundance/As well as fine fingers to use us." - Fortunately for its inventory, not all of the reviews were so negative. A journalist visiting the Paris World's Fair in 1878 compared the Writing Ball favorably with the new Sholes & Gliddern "Typewriter" introduced by E. Remington & Sons of Ilion, New York, in 1874. "The Danish apparatus has more keys, is much less complicated, built with greater precision, more solid, and much smaller and lighter than the Remington, and moreover, is cheaper." - From a total of only 180 machines produced, only thirty-five are believed to have survived: thirty in museum collections, a handful still in private hands. - Literature: Ernst Martin (1949), "Die Schreibmaschine und ihre Entwicklungsgeschichte", pp. 60, 351 and 460. - For background on Nietzsche's machine: http://www.openculture.com/2013/12/friedrich-nietzsches-curious-typewriter.html. - A fabulous icon of design as well as an important historical document for the entire history of communication! A faithful copy in working condition, with fitted mahogany case.
Zustand: (1-2/2)
Schreibkugel Malling-Hansen (Replika)
Als erste serienmäßig hergestellte Schreibmaschine der Welt ist sie in die Geschichte und Literatur eingegangen. Pastor Rasmus Hans Johan Malling-Hansen, Direktor der Kopenhagener Taubstummen-Anstalt, erfand dieses technische Präzisionswunderwerk: 54 halbkugelförmig angeordnete Typenhebel gleiten federgeführt auf einen zentrischen Gegendruckstempel von nur 25 mm², d.h., daß jede Tastenstange aus einem anderen Winkel auf die nur 5 x 5 mm große Gegendruckfläche auftrifft. So muß jeder einzelne Buchstabe in einem anderen Winkel "verzerrt" sein, um auf dem Papier ein einheitliches Schriftbild wiederzugeben. Zur Zeit Malling-Hansens mußten diese Buchstaben in Schriftgießereien der Druckindustrie von professionellen Kupferstechern graviert werden. Solche Künstler sind heute nicht mehr zu finden, da die Elektronik das Setzerhandwerk völlig verdrängt hat. Technisch ist diese erste Schreibmaschine der Welt bereits mit nahezu allen Raffinessen ausgerüstet, wie sie erst 40-50 Jahre später allgemein auf den Markt kommen sollten: automatischer Wagenrücklauf, automatische Zeilenschaltung, Leertaste, Skala für eingezogene Absätze, Glocke als Signal für das Zeilenende, Möglichkeit zur Anfertigung von Durchschlägen (mittels Kohlepapier), Farbbandumschaltung und - last but not least - sichtbares Schreiben (durch Anheben des Schreibkopfes). Das sind auch aus heutiger Sicht sensationelle Finessen, die lange Zeit unübertroffen bleiben sollten. Neben ihrer technischen Präzision besticht die Malling-Hansen'sche Schreibkugel vor allem durch ihr dekoratives Design. - Von einstmals nur 180 hergestellten Maschinen befinden sich heute weltweit nur noch 5 Modelle in Privatbesitz (2 davon mit Moon'scher Blindenschrifttastatur), alle übrigen (etwa 30) sind bereits in Museumskollektionen eingegangen und so für Privatsammler für immer vom Markt verschwunden - Literatur: Martin, 1949, S. 60, 351 und 460. - Die Schreibkugel von Pastor Malling-Hansen ist schon mit bei uns erzielten € 92.000,- (US$ 103.000) und sogar mit € 131.000,- (US$ 147.000) die teuerste historische Schreibmaschine aller Zeiten. - Zweifellos ist diese erste Schreibmaschine der Welt bis heute sowohl technisch als auch optisch das Prunkstück in jeder anspruchsvollen Sammlung und Ausstellung. - Dieses Modell ist sowohl eine Ikone in Design als auch ein Meilenstein in der technischen Entwicklungsgeschichte der gesamten Kommunikationstechnik! Eine exzellente Kopie in gut funktionierendem Zustand, mit Mahagonikasten.
Condition: (1-2/2)
- - -
21.80 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
The world's first commercially produced typewriter, designed by Rasmus Malling-Hansen (1835-1890), Copenhagen, Denmark. With hemisphere of 54 spring-loaded and engraved alpha-numeric typebars supported on three brass columns with set-screw adjustment and geared mechanism, diameter of hemisphere 5 ¼ in. (13,5 cm), approx. ht. 8 ½ in. (21,5 cm), excellent general condition. - Reverend Rasmus Malling-Hansen, principal of the Royal Institute for the Deaf and Dumb, Copenhagen, designed his unique ergonomic typewriter in 1865 to help students to "speak with their fingers". "In a given time one can say five times as many sounds as can be written", he argued in his patent application of 25 January 1870. "In other words, one speaks five times as fast as one writes." Malling-Hansen positioned letters, numbers and symbols on a hemisphere to facilitate "quick writing", the vowels operated by the fingers of the left hand, the consonants by the fingers on the right. The intended result - the writing speed would be "easily two to three times as fast as normal, and practice in using the apparatus should be able to bring this speed up to speech speed." - Each of the fifty-four typebars is aligned at a different angle, yet all converge on the paper at a common point. The beauty of Malling-Hansen's design was not restricted to the layout of the typebars, but displayed all the significant refinements of writing machines introduced 40-50 years later: automatic carriage return and line spacing, a space bar, a bell to signal the end of the line, provision for carbon paper copies, a ribbon reverse and - most significant of all - visible writing by raising the typing mechanism. - The Writing Ball's most celebrated user - but not its happiest - was the German philosopher Friedrich Nietzsche. "Hurrah! The machine has arrived at my house!" wrote Nietzsche to his sister on 11 February 1882 upon the delivery of the machine he had ordered for 375 Danish krone the year before. Beset by failing eyesight, the philosopher had hoped that the new invention would allow him to write more easily. Despite his initial excitement, Nietzsche eventually gave up on the intricate machine after it was damaged during a trip to Genoa, Italy, though not before immortalizing his struggle in verse: "The writing ball is a thing like me:/Made of iron yet easily twisted on journeys/Patience and tact are required in abundance/As well as fine fingers to use us." - Fortunately for its inventory, not all of the reviews were so negative. A journalist visiting the Paris World's Fair in 1878 compared the Writing Ball favorably with the new Sholes & Gliddern "Typewriter" introduced by E. Remington & Sons of Ilion, New York, in 1874. "The Danish apparatus has more keys, is much less complicated, built with greater precision, more solid, and much smaller and lighter than the Remington, and moreover, is cheaper." - From a total of only 180 machines produced, only thirty-five are believed to have survived: thirty in museum collections, a handful still in private hands. - Literature: Ernst Martin (1949), "Die Schreibmaschine und ihre Entwicklungsgeschichte", pp. 60, 351 and 460. - For background on Nietzsche's machine: http://www.openculture.com/2013/12/friedrich-nietzsches-curious-typewriter.html. - A fabulous icon of design as well as an important historical document for the entire history of communication! A faithful copy in working condition, with fitted mahogany case.
Zustand: (1-2/2)
Schreibkugel Malling-Hansen (Replika)
Als erste serienmäßig hergestellte Schreibmaschine der Welt ist sie in die Geschichte und Literatur eingegangen. Pastor Rasmus Hans Johan Malling-Hansen, Direktor der Kopenhagener Taubstummen-Anstalt, erfand dieses technische Präzisionswunderwerk: 54 halbkugelförmig angeordnete Typenhebel gleiten federgeführt auf einen zentrischen Gegendruckstempel von nur 25 mm², d.h., daß jede Tastenstange aus einem anderen Winkel auf die nur 5 x 5 mm große Gegendruckfläche auftrifft. So muß jeder einzelne Buchstabe in einem anderen Winkel "verzerrt" sein, um auf dem Papier ein einheitliches Schriftbild wiederzugeben. Zur Zeit Malling-Hansens mußten diese Buchstaben in Schriftgießereien der Druckindustrie von professionellen Kupferstechern graviert werden. Solche Künstler sind heute nicht mehr zu finden, da die Elektronik das Setzerhandwerk völlig verdrängt hat. Technisch ist diese erste Schreibmaschine der Welt bereits mit nahezu allen Raffinessen ausgerüstet, wie sie erst 40-50 Jahre später allgemein auf den Markt kommen sollten: automatischer Wagenrücklauf, automatische Zeilenschaltung, Leertaste, Skala für eingezogene Absätze, Glocke als Signal für das Zeilenende, Möglichkeit zur Anfertigung von Durchschlägen (mittels Kohlepapier), Farbbandumschaltung und - last but not least - sichtbares Schreiben (durch Anheben des Schreibkopfes). Das sind auch aus heutiger Sicht sensationelle Finessen, die lange Zeit unübertroffen bleiben sollten. Neben ihrer technischen Präzision besticht die Malling-Hansen'sche Schreibkugel vor allem durch ihr dekoratives Design. - Von einstmals nur 180 hergestellten Maschinen befinden sich heute weltweit nur noch 5 Modelle in Privatbesitz (2 davon mit Moon'scher Blindenschrifttastatur), alle übrigen (etwa 30) sind bereits in Museumskollektionen eingegangen und so für Privatsammler für immer vom Markt verschwunden - Literatur: Martin, 1949, S. 60, 351 und 460. - Die Schreibkugel von Pastor Malling-Hansen ist schon mit bei uns erzielten € 92.000,- (US$ 103.000) und sogar mit € 131.000,- (US$ 147.000) die teuerste historische Schreibmaschine aller Zeiten. - Zweifellos ist diese erste Schreibmaschine der Welt bis heute sowohl technisch als auch optisch das Prunkstück in jeder anspruchsvollen Sammlung und Ausstellung. - Dieses Modell ist sowohl eine Ikone in Design als auch ein Meilenstein in der technischen Entwicklungsgeschichte der gesamten Kommunikationstechnik! Eine exzellente Kopie in gut funktionierendem Zustand, mit Mahagonikasten.
Condition: (1-2/2)
- - -
21.80 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
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Malling-Hansen "Writing Ball" (Reproduction)
The world's first commercially produced typewriter, designed by Rasmus Malling-Hansen (1835-1890), Copenhagen, Denmark. With hemisphere of 54 spring-loaded and engraved alpha-numeric typebars supported on three brass columns with set-screw adjustment and geared mechanism, diameter of hemisphere 5 ¼ in. (13,5 cm), approx. ht. 8 ½ in. (21,5 cm), excellent general condition. - Reverend Rasmus Malling-Hansen, principal of the Royal Institute for the Deaf and Dumb, Copenhagen, designed his unique ergonomic typewriter in 1865 to help students to "speak with their fingers". "In a given time one can say five times as many sounds as can be written", he argued in his patent application of 25 January 1870. "In other words, one speaks five times as fast as one writes." Malling-Hansen positioned letters, numbers and symbols on a hemisphere to facilitate "quick writing", the vowels operated by the fingers of the left hand, the consonants by the fingers on the right. The intended result - the writing speed would be "easily two to three times as fast as normal, and practice in using the apparatus should be able to bring this speed up to speech speed." - Each of the fifty-four typebars is aligned at a different angle, yet all converge on the paper at a common point. The beauty of Malling-Hansen's design was not restricted to the layout of the typebars, but displayed all the significant refinements of writing machines introduced 40-50 years later: automatic carriage return and line spacing, a space bar, a bell to signal the end of the line, provision for carbon paper copies, a ribbon reverse and - most significant of all - visible writing by raising the typing mechanism. - The Writing Ball's most celebrated user - but not its happiest - was the German philosopher Friedrich Nietzsche. "Hurrah! The machine has arrived at my house!" wrote Nietzsche to his sister on 11 February 1882 upon the delivery of the machine he had ordered for 375 Danish krone the year before. Beset by failing eyesight, the philosopher had hoped that the new invention would allow him to write more easily. Despite his initial excitement, Nietzsche eventually gave up on the intricate machine after it was damaged during a trip to Genoa, Italy, though not before immortalizing his struggle in verse: "The writing ball is a thing like me:/Made of iron yet easily twisted on journeys/Patience and tact are required in abundance/As well as fine fingers to use us." - Fortunately for its inventory, not all of the reviews were so negative. A journalist visiting the Paris World's Fair in 1878 compared the Writing Ball favorably with the new Sholes & Gliddern "Typewriter" introduced by E. Remington & Sons of Ilion, New York, in 1874. "The Danish apparatus has more keys, is much less complicated, built with greater precision, more solid, and much smaller and lighter than the Remington, and moreover, is cheaper." - From a total of only 180 machines produced, only thirty-five are believed to have survived: thirty in museum collections, a handful still in private hands. - Literature: Ernst Martin (1949), "Die Schreibmaschine und ihre Entwicklungsgeschichte", pp. 60, 351 and 460. - For background on Nietzsche's machine: http://www.openculture.com/2013/12/friedrich-nietzsches-curious-typewriter.html. - A fabulous icon of design as well as an important historical document for the entire history of communication! A faithful copy in working condition, with fitted mahogany case.
Zustand: (1-2/2)
Schreibkugel Malling-Hansen (Replika)
Als erste serienmäßig hergestellte Schreibmaschine der Welt ist sie in die Geschichte und Literatur eingegangen. Pastor Rasmus Hans Johan Malling-Hansen, Direktor der Kopenhagener Taubstummen-Anstalt, erfand dieses technische Präzisionswunderwerk: 54 halbkugelförmig angeordnete Typenhebel gleiten federgeführt auf einen zentrischen Gegendruckstempel von nur 25 mm², d.h., daß jede Tastenstange aus einem anderen Winkel auf die nur 5 x 5 mm große Gegendruckfläche auftrifft. So muß jeder einzelne Buchstabe in einem anderen Winkel "verzerrt" sein, um auf dem Papier ein einheitliches Schriftbild wiederzugeben. Zur Zeit Malling-Hansens mußten diese Buchstaben in Schriftgießereien der Druckindustrie von professionellen Kupferstechern graviert werden. Solche Künstler sind heute nicht mehr zu finden, da die Elektronik das Setzerhandwerk völlig verdrängt hat. Technisch ist diese erste Schreibmaschine der Welt bereits mit nahezu allen Raffinessen ausgerüstet, wie sie erst 40-50 Jahre später allgemein auf den Markt kommen sollten: automatischer Wagenrücklauf, automatische Zeilenschaltung, Leertaste, Skala für eingezogene Absätze, Glocke als Signal für das Zeilenende, Möglichkeit zur Anfertigung von Durchschlägen (mittels Kohlepapier), Farbbandumschaltung und - last but not least - sichtbares Schreiben (durch Anheben des Schreibkopfes). Das sind auch aus heutiger Sicht sensationelle Finessen, die lange Zeit unübertroffen bleiben sollten. Neben ihrer technischen Präzision besticht die Malling-Hansen'sche Schreibkugel vor allem durch ihr dekoratives Design. - Von einstmals nur 180 hergestellten Maschinen befinden sich heute weltweit nur noch 5 Modelle in Privatbesitz (2 davon mit Moon'scher Blindenschrifttastatur), alle übrigen (etwa 30) sind bereits in Museumskollektionen eingegangen und so für Privatsammler für immer vom Markt verschwunden - Literatur: Martin, 1949, S. 60, 351 und 460. - Die Schreibkugel von Pastor Malling-Hansen ist schon mit bei uns erzielten € 92.000,- (US$ 103.000) und sogar mit € 131.000,- (US$ 147.000) die teuerste historische Schreibmaschine aller Zeiten. - Zweifellos ist diese erste Schreibmaschine der Welt bis heute sowohl technisch als auch optisch das Prunkstück in jeder anspruchsvollen Sammlung und Ausstellung. - Dieses Modell ist sowohl eine Ikone in Design als auch ein Meilenstein in der technischen Entwicklungsgeschichte der gesamten Kommunikationstechnik! Eine exzellente Kopie in gut funktionierendem Zustand, mit Mahagonikasten.
Condition: (1-2/2)
- - -
21.80 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
The world's first commercially produced typewriter, designed by Rasmus Malling-Hansen (1835-1890), Copenhagen, Denmark. With hemisphere of 54 spring-loaded and engraved alpha-numeric typebars supported on three brass columns with set-screw adjustment and geared mechanism, diameter of hemisphere 5 ¼ in. (13,5 cm), approx. ht. 8 ½ in. (21,5 cm), excellent general condition. - Reverend Rasmus Malling-Hansen, principal of the Royal Institute for the Deaf and Dumb, Copenhagen, designed his unique ergonomic typewriter in 1865 to help students to "speak with their fingers". "In a given time one can say five times as many sounds as can be written", he argued in his patent application of 25 January 1870. "In other words, one speaks five times as fast as one writes." Malling-Hansen positioned letters, numbers and symbols on a hemisphere to facilitate "quick writing", the vowels operated by the fingers of the left hand, the consonants by the fingers on the right. The intended result - the writing speed would be "easily two to three times as fast as normal, and practice in using the apparatus should be able to bring this speed up to speech speed." - Each of the fifty-four typebars is aligned at a different angle, yet all converge on the paper at a common point. The beauty of Malling-Hansen's design was not restricted to the layout of the typebars, but displayed all the significant refinements of writing machines introduced 40-50 years later: automatic carriage return and line spacing, a space bar, a bell to signal the end of the line, provision for carbon paper copies, a ribbon reverse and - most significant of all - visible writing by raising the typing mechanism. - The Writing Ball's most celebrated user - but not its happiest - was the German philosopher Friedrich Nietzsche. "Hurrah! The machine has arrived at my house!" wrote Nietzsche to his sister on 11 February 1882 upon the delivery of the machine he had ordered for 375 Danish krone the year before. Beset by failing eyesight, the philosopher had hoped that the new invention would allow him to write more easily. Despite his initial excitement, Nietzsche eventually gave up on the intricate machine after it was damaged during a trip to Genoa, Italy, though not before immortalizing his struggle in verse: "The writing ball is a thing like me:/Made of iron yet easily twisted on journeys/Patience and tact are required in abundance/As well as fine fingers to use us." - Fortunately for its inventory, not all of the reviews were so negative. A journalist visiting the Paris World's Fair in 1878 compared the Writing Ball favorably with the new Sholes & Gliddern "Typewriter" introduced by E. Remington & Sons of Ilion, New York, in 1874. "The Danish apparatus has more keys, is much less complicated, built with greater precision, more solid, and much smaller and lighter than the Remington, and moreover, is cheaper." - From a total of only 180 machines produced, only thirty-five are believed to have survived: thirty in museum collections, a handful still in private hands. - Literature: Ernst Martin (1949), "Die Schreibmaschine und ihre Entwicklungsgeschichte", pp. 60, 351 and 460. - For background on Nietzsche's machine: http://www.openculture.com/2013/12/friedrich-nietzsches-curious-typewriter.html. - A fabulous icon of design as well as an important historical document for the entire history of communication! A faithful copy in working condition, with fitted mahogany case.
Zustand: (1-2/2)
Schreibkugel Malling-Hansen (Replika)
Als erste serienmäßig hergestellte Schreibmaschine der Welt ist sie in die Geschichte und Literatur eingegangen. Pastor Rasmus Hans Johan Malling-Hansen, Direktor der Kopenhagener Taubstummen-Anstalt, erfand dieses technische Präzisionswunderwerk: 54 halbkugelförmig angeordnete Typenhebel gleiten federgeführt auf einen zentrischen Gegendruckstempel von nur 25 mm², d.h., daß jede Tastenstange aus einem anderen Winkel auf die nur 5 x 5 mm große Gegendruckfläche auftrifft. So muß jeder einzelne Buchstabe in einem anderen Winkel "verzerrt" sein, um auf dem Papier ein einheitliches Schriftbild wiederzugeben. Zur Zeit Malling-Hansens mußten diese Buchstaben in Schriftgießereien der Druckindustrie von professionellen Kupferstechern graviert werden. Solche Künstler sind heute nicht mehr zu finden, da die Elektronik das Setzerhandwerk völlig verdrängt hat. Technisch ist diese erste Schreibmaschine der Welt bereits mit nahezu allen Raffinessen ausgerüstet, wie sie erst 40-50 Jahre später allgemein auf den Markt kommen sollten: automatischer Wagenrücklauf, automatische Zeilenschaltung, Leertaste, Skala für eingezogene Absätze, Glocke als Signal für das Zeilenende, Möglichkeit zur Anfertigung von Durchschlägen (mittels Kohlepapier), Farbbandumschaltung und - last but not least - sichtbares Schreiben (durch Anheben des Schreibkopfes). Das sind auch aus heutiger Sicht sensationelle Finessen, die lange Zeit unübertroffen bleiben sollten. Neben ihrer technischen Präzision besticht die Malling-Hansen'sche Schreibkugel vor allem durch ihr dekoratives Design. - Von einstmals nur 180 hergestellten Maschinen befinden sich heute weltweit nur noch 5 Modelle in Privatbesitz (2 davon mit Moon'scher Blindenschrifttastatur), alle übrigen (etwa 30) sind bereits in Museumskollektionen eingegangen und so für Privatsammler für immer vom Markt verschwunden - Literatur: Martin, 1949, S. 60, 351 und 460. - Die Schreibkugel von Pastor Malling-Hansen ist schon mit bei uns erzielten € 92.000,- (US$ 103.000) und sogar mit € 131.000,- (US$ 147.000) die teuerste historische Schreibmaschine aller Zeiten. - Zweifellos ist diese erste Schreibmaschine der Welt bis heute sowohl technisch als auch optisch das Prunkstück in jeder anspruchsvollen Sammlung und Ausstellung. - Dieses Modell ist sowohl eine Ikone in Design als auch ein Meilenstein in der technischen Entwicklungsgeschichte der gesamten Kommunikationstechnik! Eine exzellente Kopie in gut funktionierendem Zustand, mit Mahagonikasten.
Condition: (1-2/2)
- - -
21.80 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
152th Specialty Auction "Office Antiques"
Auktionsdatum
Ort der Versteigerung
Otto-Hahn-Straße 10
Köln
50997
Germany
Generelle Versandinformationen vom Auktionshaus verfügbar
Local Pick-Up, In-House Shipping
Wichtige Informationen
21.80 % buyer's premium on the hammer price
19.00 % VAT on buyer's premium
3 % live surcharge plus 19 % VAT
AGB
Auction conditions
1) The auction is carried out voluntarily under foreign name and on account of the customer.
2) The goods to be sold in the auction can be examined and checked at determined times before the auction – under the full responsibility and risk of the interested client. They will be put up for auction in the condition as they are without any liability for visible or hidden defects as well as for attributes; later claims of any kind cannot be taken into consideration. The descriptions in the catalogue are made to the best of our knowledge, but they are no guaranteed attributes in the sense of § 459 and following BGB. – Information ref. § 26 UStR is assured. – No right of return of any sold item, therefore please use the advantage of the previewing (also by your friends).
3) Normally the bids are increased in steps of 10 % of the initial price with a minimum of € 5.–. The auctioneer can deviate from this regulation in particular cases. The knocking down is done if no higher offer is made after the third repetition of the highest offer and if the limit price has been achieved.
4) The auctioneer can combine numbers, separate them, can offer them out of the sequence or can withdraw them. The bidding is done by showing the bidding number or by a written offer.
5) The auctioneer can refuse an offer; in this case the offer given right before remains binding. In case several persons make the same offer, the knocking down is decided by lot. In case of identical written offers, the computer makes the decision to the benefit of the first offer received. Decisive in this case is the point of time of its entry. If there is a disagreement on a knocking down or if an offer is made in time has been disregarded, the auctioneer can all the same knock down this bid and can follow-up the rights resulting out of this. He can also knock down to the next lowest bid or can start again with the initial bid of this lot.
6) The knocking down is binding. The goods must be immediately paid. The knocking down transfers the risk of possible losses, damages, mistakes to the purchaser. Each bidder buys in his own name and for his own account.
7) A premium of 21,8 % has to be paid on the knocking down price. The tax (19 %) has to be paid on the surcharge, i.e. the total surcharge amounts to 25,94 %. The entire amount, which has to be paid by the purchaser, is immediately due and has either to be settled in cash, wire transfer or by guaranteed bank draft. In case of an acquisition by submittance of a written order, the payment has to be settled within 8 days after the invoice date.
8) The goods become the property of the purchaser only after the complete payment. The objects will only be delivered if the payment has been settled. Otherwise the goods are still the property of the consigner until complete payment. In case a payment does not reach the auctioneer in due time, the purchaser is liable without reminder for all resulting losses. Also without proof of a loss the interest for delay at the bank usual rate can be charged.
9) In case the payment is not settled in time or the objects are not taken, the auctioneer has the right either to demand the performance of the contract of purchase or can claim damages due to the non-performance. Independent from the above the auctioneer can also put this object for auction in one of the next auctions on cost of the purchaser. For the resale in the auction the bidder is treated as supplier and has to pay the corresponding order commission as well as the tax to be paid on it. All transportation and storing costs as well as possible charges for the employment of additional workers, which result in connection with the above, will be deducted from the net profits. The remaining profit will be balanced on the date of the actual inpayment with the claim for damages acc. to § 367 BGB.
10) The handing over of the objects bought in the auction is done at any time during and after the auction against presentation of the receipt. Invoices issued immediately after the auction are subject to the right of verification and possible corrections: errors excepted.
Bidders who are present at the auction must arrange the pick-up on the day of the auction. Otherwise the objects will be stored on account and risk of the purchaser without any further notice. The auctioneer does not bear the risk of storing.
11) Each shipment is carried out on the account and risk of the purchaser. Insurance possible on request.
12) Bidder orders are handled with great care; a guarantee for its setting up for auction can only be ensured if the written bidding order has reached the auctioneer latest at 12:00 am (noon) two days before the auction. The bidders unknown to the auctioneer are kindly asked to provide a satisfactory security before the auction.
13) The legal relation is based on the German law. Place of performance and legal venue for the mutual trade business is Cologne.
14) The visitor accepts the above conditions explicitly by his participation in the auction or by his offer.
Auction Team Breker
– Astrid & Uwe Breker –
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Currency exchange rates (1 February 2018): 1 € (Euro) = approx. US$ 1,24 / £ 0,88 / ¥en 135 |
