Los

29

SYMPLEGMA UND BÄRTIGER HARFENIST H. max. 12 cm. Ton, partiell mit braunem Überzug. Vorderer Orient,

In Ancient Art

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SYMPLEGMA UND BÄRTIGER HARFENIST
H. max. 12 cm. Ton, partiell mit braunem Überzug. 
Vorderer Orient,
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Münchenstein
SYMPLEGMA UND BÄRTIGER HARFENIST H. max. 12 cm. Ton, partiell mit braunem Überzug. Vorderer Orient, 1. Hälfte 2. Jt.v.C. a) RELIEFPLAKETTE. - Mann pentriert gebeugt stehende Frau, die an einem Rohr aus einem Gefäss saugt. Beide nackt. Flaches Relief; Rückseite glatt. Aus wenigen Fragmenten zusammengesetzt; bestossen. b) GERAHMTE RELIEFPLAKETTE. - Auf Hocker sitzend, zupft der Musiker mit der Rechten die Saiten. Rückseite geglättet. Ein Randfragment angesetzt; bestossen. Provenienz: Slg. P.A.E. Hollander, 1992-2010. - a) Ehem. Archea-Ancient Art, Amsterdam, Inv.-Nr. 9172, erworben 20.11.2007; b) Ehem. Slg. Yeganeh. Danach Antikenkabinett Frankfurt a.M., Listen-Nr. ID 54, Idole und Votive, Kat. 4 (Frankfurt a.M. 2000) Nr. 42 mit Abb. a) Vgl. stilistisch eine Reliefplakette s. Kat. Hamburg - 1964, 84 Nr. 111 Taf. 41. Motivisch verwandt ein elamitisches Votivbett im Musée du Louvre, Paris, Inv.-Nr. Sb 5888, s. Amiet - 1966, 328 f. Nr. 247 mit Abb. b) An der Rückseite reichlich Fingerspuren des Künstlers. - Vgl. motivisch und mit stilistischen Anklängen die ungerahmte Tonreliefplakette eines auf ähnlichem Hocker sitzenden Harfenisten, s. Seton-Williams - 1981, 133 Abb. 94. Das Instrument in babylonischer Zeit seit dem 3. Jt. belegt, s. a. O., 90 f. Abb. 49-50.A SYMPLEGMA AND A BEARDED HARPIST H. max. 12 cm. Clay with brown slip in places. Near East, 1st half 2nd mill. B.C. a) A RELIEF PLAQUE. - Man penetrating a woman bending over and drinking through a straw from a jar. Both nude. Flat relief; reverse smooth. Assembled from a few fragments; slightly worn. b) A FRAMED RELIEF PLAQUE. - Musician seated on a stool, his right hand plucking at the strings of his instrument. Reverse smoothed. Reattached edge fragment; slightly worn. Provenance: Coll. P.A.E. Hollander, 1992-2010. - a) Formerly Archea- Ancient Art, Amsterdam, inv. no. 9172, acquired 20.11.2007; b) formerly Coll. Yeganeh. Thereafter Antikenkabinett Frankfurt a.M., list no. ID 54, Idole und Votive, Cat. 4 (Frankfurt a.M. 2000) no. 42 with illus. a) For the style, cf. the relief plaque in Cat. Hamburg - 1964, 84, no. 111, pl. 41. For a related motif, cf. an Elamite votive bed in the Musée du Louvre, Paris, inv. no. Sb 5888, see Amiet - 1966, 328 f., no. 247 with illus. b) Numerous fingerprints of the artist on the reverse. - For echoes of the motif and style, cf. the unframed clay relief plaque of a similarly seated harpist in Seton-Williams - 1981, 133, illus. 94. There is evidence of such an instrument in Babylonian times from the 3rd mill., see loc. cit. 90 f., illus. 49–50.
SYMPLEGMA UND BÄRTIGER HARFENIST H. max. 12 cm. Ton, partiell mit braunem Überzug. Vorderer Orient, 1. Hälfte 2. Jt.v.C. a) RELIEFPLAKETTE. - Mann pentriert gebeugt stehende Frau, die an einem Rohr aus einem Gefäss saugt. Beide nackt. Flaches Relief; Rückseite glatt. Aus wenigen Fragmenten zusammengesetzt; bestossen. b) GERAHMTE RELIEFPLAKETTE. - Auf Hocker sitzend, zupft der Musiker mit der Rechten die Saiten. Rückseite geglättet. Ein Randfragment angesetzt; bestossen. Provenienz: Slg. P.A.E. Hollander, 1992-2010. - a) Ehem. Archea-Ancient Art, Amsterdam, Inv.-Nr. 9172, erworben 20.11.2007; b) Ehem. Slg. Yeganeh. Danach Antikenkabinett Frankfurt a.M., Listen-Nr. ID 54, Idole und Votive, Kat. 4 (Frankfurt a.M. 2000) Nr. 42 mit Abb. a) Vgl. stilistisch eine Reliefplakette s. Kat. Hamburg - 1964, 84 Nr. 111 Taf. 41. Motivisch verwandt ein elamitisches Votivbett im Musée du Louvre, Paris, Inv.-Nr. Sb 5888, s. Amiet - 1966, 328 f. Nr. 247 mit Abb. b) An der Rückseite reichlich Fingerspuren des Künstlers. - Vgl. motivisch und mit stilistischen Anklängen die ungerahmte Tonreliefplakette eines auf ähnlichem Hocker sitzenden Harfenisten, s. Seton-Williams - 1981, 133 Abb. 94. Das Instrument in babylonischer Zeit seit dem 3. Jt. belegt, s. a. O., 90 f. Abb. 49-50.A SYMPLEGMA AND A BEARDED HARPIST H. max. 12 cm. Clay with brown slip in places. Near East, 1st half 2nd mill. B.C. a) A RELIEF PLAQUE. - Man penetrating a woman bending over and drinking through a straw from a jar. Both nude. Flat relief; reverse smooth. Assembled from a few fragments; slightly worn. b) A FRAMED RELIEF PLAQUE. - Musician seated on a stool, his right hand plucking at the strings of his instrument. Reverse smoothed. Reattached edge fragment; slightly worn. Provenance: Coll. P.A.E. Hollander, 1992-2010. - a) Formerly Archea- Ancient Art, Amsterdam, inv. no. 9172, acquired 20.11.2007; b) formerly Coll. Yeganeh. Thereafter Antikenkabinett Frankfurt a.M., list no. ID 54, Idole und Votive, Cat. 4 (Frankfurt a.M. 2000) no. 42 with illus. a) For the style, cf. the relief plaque in Cat. Hamburg - 1964, 84, no. 111, pl. 41. For a related motif, cf. an Elamite votive bed in the Musée du Louvre, Paris, inv. no. Sb 5888, see Amiet - 1966, 328 f., no. 247 with illus. b) Numerous fingerprints of the artist on the reverse. - For echoes of the motif and style, cf. the unframed clay relief plaque of a similarly seated harpist in Seton-Williams - 1981, 133, illus. 94. There is evidence of such an instrument in Babylonian times from the 3rd mill., see loc. cit. 90 f., illus. 49–50.

Ancient Art

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